A SUJIBACHI KABUTO (RIDGED HELMET)
A SUJIBACHI KABUTO (RIDGED HELMET)

EDO PERIOD (17TH-18TH CENTURY), SIGNED MYOCHIN MUNESUKE

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A SUJIBACHI KABUTO (RIDGED HELMET)
EDO PERIOD (17TH-18TH CENTURY), SIGNED MYOCHIN MUNESUKE
Helmet [kabuto]: A thirty-plate russet iron sujikabuto (ridged helmet), with four-tier hachimanza (decorative component at the apex of the helmet bowl), sweeping expansive mabisashi (brim) with shakudo (copper alloy) edging, the forecrest of a gilt and lacquered wood two-horned shikami beast
Neck guard [shikoro]: five-tier manju-jikoro (neck-guard) of gold lacquered iron kittsukezane (sheets simulating individual scales), the fukigaeshi (turn-backs) clad with dyed leather
Face mask [menpo]: a russet iron menpo (half mask) of Karura (Garuda) with detachable nose, with four-tier yodare-kake (bib) of matching kittsukezane

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Takaaki Murakami
Takaaki Murakami

Lot Essay

The face mask of this helmet is forged as the head of the half-bird half-human god Garuda (Karura in Japanese). In Hindu mythology, he is the eagle-like vehicle and emblem of Vishnu, preserver of the universe. Garuda appears in Buddhist mythology as a protector of the Dharma Law.
Myochin Munesuke (1642-c. 1735), whose name appears on the helmet here, aggrandized his lineage with the Myochin rekidai zofuku, a list of supposed ancestors tracing back several centuries. The Myochin flourished, founding branch schools in the provinces. By the middle Edo period, the Myochin were confident enough to style themselves as”On katchu no kiwame-dokoro, Nippon yuitsu no katchu no ryoko,” or “official appraisers of armour, the best in Japan.” There were successive generations of skilled armourers using the name Munesuke, though the work attributed to the first of that line may be considered the finest.

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