AN EXCEPTIONALLY CARVED CINNABAR LACQUER 'DRAGON' CIRCULAR BOX AND COVER

細節
元 剔紅雙龍戲珠紋圓盒

盒呈蔗段式,直壁,凹底。通體髹朱漆。蓋面海水錦地上雕雲龍紋,兩條龍軀體碩長矯健,張牙舞爪,龍吻上揚,翻騰於雲海之中。雙龍之間火焰飄動。蓋邊環雕波浪紋。盒外壁雕靈芝紋,盒內及底髹黑漆。

此盒雕琢細緻,工匠運刀如筆,明快精細,把兩條躍龍描繪得栩栩如生,具時代特色。元朝的龍小頭、細頸,毛髮稀少並迎風飄拂,嘴巴微張,眼珠突出,前額微凸,龍爪銳利。
展覽
The Museum of East Asian Art, Cologne, 1990, Dragon and Phoenix, Chinese Lacquer Ware, The Lee Family Collection, Catalogue, no. 38
Los Angeles County Museum of Art, 1990/91
The Shoto Museum of Art, Shibuya, Japan, 1991, Chinese Lacquerware, Catalogue, no. 43
拍場告示
Please note that the estimate in US dollars should read: 77,000-100,000.

榮譽呈獻

Carrie Li
Carrie Li

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拍品專文

Dragons of the Yuan period are particularly distinctive as they often appear, most frequently on ceramics, with relatively small heads, antler-like horns, bulging eyes and long snouts. Compare with striding dragons painted on the well-known pair of 'David Vases', dated to 1351, illustrated by R. Scott, Percival David Foundation of Chinese Art, London, 1989, p. 67, no. 55; and upright dragons on a 'pilgrim' flask, formerly from the Sir Harry Garner and F. Gordon Morrill collection, sold by Messrs Doyle, New York, 16 September 2003, lot 74. The necks of these mythical creatures are characteristically narrow and their bodies widen between the fore and hind legs. As these mythical creatures are portrayed with their mouths agape exposing protruding tongues, their expressions are often lively and quizzical. As well as dragons painted on the ceramic examples cited above compare also those depicted on Song and Yuan textiles. Cf. the dragon embroidered on a costume of a Buddhist guardian figure, in the Museum of History, Beijing, illustrated in Zhongguo Meishu Quanji, textiles, vol. 7, 1987, p. 21, no. 22; and also on a kesi dated to the Northern Song dynasty, illustrated in Possessing the Past - Treasures from the National Palace Museum, Taipei, New York, 1996, p. 250, pl. 128.

更多來自 千文萬華 ─ 李氏家族重要漆器珍藏(II)

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