AN IMPORTANT SILVER CAUDLE CUP
AN IMPORTANT SILVER CAUDLE CUP
AN IMPORTANT SILVER CAUDLE CUP
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AN IMPORTANT SILVER CAUDLE CUP
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PROPERTY FROM A NEW YORK FAMILY
AN IMPORTANT SILVER CAUDLE CUP

MARK OF JURIAN BLANCK JR., NEW YORK, CIRCA 1680

Details
AN IMPORTANT SILVER CAUDLE CUP
MARK OF JURIAN BLANCK JR., NEW YORK, CIRCA 1680
Baluster form, on circular foot, with two caryatid-form handles, one side engraved Gertruy Crook within vine leaf cartouche, the other side engraved circa 1780 with a coat-of-arms with a shield-shaped cartouche, the base later engraved with history of descent, marked on body and under base
8 ¼ in. (20.6 cm.) long, over handles
17 oz. 10 dwt. (556 gr.)
Literature
Roderic H. Blackburn and Ruth Piwonka, Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609-1776, 1988, no. 313, pp. 286-87, illus. p. 31.
Engraved
John Crook/Gertruy de Haas/1679
John Crook /Katrine Jansen/1710
Maria Crook/Petrus Edmundus Elmendorf/April 29, 1744
John Elmendorf/Margaret Zabriskie/Oct 17, 1773
Peter Zabriskie Elmendorf/Maria La Grange Van Veghten/May 24, 1821
Mary Crook Elmendorf/Eugeune Aug's Hoffman/April 19, 1852

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Sallie Glover
Sallie Glover

Lot Essay


Jurian Blanck Jr.’s surviving work comprises the earliest known silver made in New York. While his father is recorded as working in New Amsterdam as early as 1643, no pieces exist that can be ascribed to his hand. Therefore Jurian Blanck, Jr., baptized in 1645, is considered New York’s first silversmith. The cast handles on this caudle cup, with their caryatids above auricular ornament, reflect very literally the Dutch origins of New York’s first generation of silversmiths (Deborah Dependahl Waters, Elegant Plate: Three Centuries of Precious Metals in New York City, 2000, p. 15).

John Crook was a successful cooper and landowner in New York City. He was associated with a group of wealthy New Yorkers who opposed Jacob Leisler’s populist rebellion in 1689-91. An altercation between Crook and Leisler took place on June 8, 1690 when a group confronted Leisler and “Jno Crook strooke a full blow with his cooper’s adz, … and truck him on the chest. Leisler drew his sword and made his way through the crowd” (Roderic H. Blackburn and Ruth Piwonka, Remembrance of Patria: Dutch Arts and Culture in Colonial America, 1609-1776, 1988, p. 287).

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