AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI
AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI
AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI
AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI
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Prospective purchasers are advised that several co… Read more THE PROPERTY OF A GENTLEMAN 
AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI

MING DYNASTY, EARLY 17TH CENTURY

Details
AN UNUSUAL UNDERCORATED RHINOCEROS HORN LIBATION CUP, NAIHEBEI
MING DYNASTY, EARLY 17TH CENTURY
The exterior is exquisitely contoured in the form of the rhinoceros horn and left undecorated to display the outstanding natural beauty of the material, carved in relief to one side with a Wanli four-character reign mark in regular script above the owner's mark Ruichang Wangfu Bao, 'Treasure from the residence of Lord Ruichang' in seal script. The fibrous texture ranges in colour from a warm golden honey tone around the base rising to a blackish-brown at the tip.
5 1/4 in. (13.2 cm.) high, box
Provenance
Acquired from a European Collection, 1978
Literature
T. Fok, Connoisseurship of Rhinoceros Horn Carving in China, Hong Kong, 1999, p. 98, no. 50
Art and Collection, 2001, issue 105, Yi liang xijiao san liang jin, p. 103
Exhibited
Hong Kong Museum of Art, Metal, Wood, Water, Fire and Earth: Gems of Antiquities Collections in Hong Kong, 2002-2005, illustrated in the Catalogue, no. 105
Special notice
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and crocodile. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.

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Lot Essay

It was more usual for rhinoceros horn cups to have been carved with designs rather than to have been left plain with the original shape of the horn retained, as with the present cup. For several other cups of this latter type see T. Fok, Connoisseurship of Rhinoceros Horn Carving in China, Hong Kong, 1999, nos. 50, 60, and 64 (unhollowed). This type of cup derives its name naihebei, 'helpless cup', from the fact it is unable to stand on its base and therefore must be placed upside down. If a guest was offered wine in such a cup, they had to finish the wine before they could put the cup down.

Another plain cup in the British Museum of Art acquired from the collection of Sir Hans Sloane in 1753 is illustrated by S. Jenyns, "The Chinese Rhinoceros and Chinese Carvings in Rhinoceros Horn", TOCS, vol. 29, 1954-1955, pl. 24A, fig. 1. See, also, the plain 'full-tip' cup in the Chester Beatty Library, illustrated by J. Chapman, The Art of Rhinoceros Horn Carving in China, London, 1999, p. 70. no. 37. Compare also to a plain cup from the Songzhutang collection sold at Christie's Hong Kong, Important Chinese Rhinoceros Horn Carvings from the Songzhutang Collection, 27 May 2008, lot 1729.

The appreciation of rhinoceros horns of this type continued into the Qing dynasty as depicted on a painting sold at Sotheby's New York, which portrays a garden landscape scene detailed with a group of revellers seated around a low table enjoying a drinking game. As illustrated in the painting an undecorated rhinoceros horn is placed next to one of the ladies.

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