Attributed to Dirck Wijntrack (Heusden 1605-1678 The Hague)

Recommended features

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  • Sir Joshua Reynolds’ portrait of his niece, Theophila Palmer

    Offered in our Old Masters sale on 30 October, this portrait is the legacy of the artist’s affection for the child he brought under his roof when she was just 13

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  • Giovanni del Campo’s Allegory of Virtuous Love

    This intimate masterpiece was for many years unattributed, until an art historian’s powers of recall solved its mystery in the late 1970s

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  • Strike a pose — The changing face of full-length portraits

    Andrew Graham-Dixon on how full-length portraits have been used in history to boost the status of nobles, kings and statesmen

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  • To gild or not to gild — that is the question

    Artists, patrons and critics have argued for centuries over the right way to frame a painting. Ultimately, it’s a matter of personal taste, says Andrew Graham-Dixon

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  • ‘Truth comes when one is totally involved in the act of painting’ — Red Square (1959) by Helen Frankenthaler

    Offered to benefit a new scholarship initiative from Bennington College, this work distils the unique form of abstraction for which the artist would become famous

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  • The women who loved — and were loved — by Picasso

    Ahead of the sale of portraits of four different muses, we focus on the women the artist came to depend on so passionately