M.-L. Cosnil, "Americans à la Biennale," Informations et Documents, 1967.
M. Compton, Pop Art, London, 1970, p. 139, no. 160 (illustrated).
L. Alloway, American Pop Art, exh. cat., New York, 1974, p. 37.
L. L. Cathcart, Edward Ruscha, exh. cat., Buffalo, 1976, p. 6.
Alford House, Anderson Fine Arts Center, Catalogue of the Permanent Collection, Anderson, 1981, p. 44 (illustrated).
B. Evans, "Smash, Flash, and Spam," Vancouver Courier, Vancouver, 1982, n.p. (illustrated).
Y.-A. Bois, "Thermometers Should Last Forever," Edward Ruscha: Romance with Liquids, exh. cat., New York, 1993, p. 12 (illustrated). K. Brougher, "Words as Landscape," Ed Ruscha, exh. cat., Washington, D.C., 2000, p. 167 (illustrated).
P. Poncy, ed., Edward Ruscha Catalogue Raisonné of the Paintings 1958-1970, vol. 1, New York, 2003, pp. 130-131, no. P1964.07 (illustrated in color).
Los Angeles, Ferus Gallery, Edward Ruscha, 1964.
Musée d'Art Moderne de la Ville de Paris, V Paris Biennale, 1967, p. 37, no. 19.
New York, American Federation of Arts, Small Paintings for Museum Collections, 1969.
Richmond, IN, McGuire Hall, Art Association of Richmond; Alford House, Anderson Fine Arts Center, and Lafayette Art Center, Indiana Collects, 1978, no. 1.
San Francisco Museum of Modern Art; New York, Whitney Museum of American Art; Vancouver Art Gallery; Houston, Contemporary Arts Museum, and Los Angeles County Museum of Art, The Works of Ed Ruscha, 1982, pp. 15-16 , 63 and 174, pl. 24, no. 14 (illustrated).
New York, Tony Shafrazi Gallery, Edward Ruscha: Early Paintings, 1988, no. 7 (illustrated in color).
Newport Beach, Newport Harbor Art Museum; Seattle, Henry Art Gallery, University of Washington; Palm Springs Desert Museum; Purchase, NY, Neuberger Museum, State University of New York, and Phoenix Art Museum, L.A. Pop in the Sixties, April 1989-August 1990, p. 12 (illustrated in color).