Related to the larger unfinished etching, of the same format, of The Virgin and Child adored by Angels (Bartsch XIV, 8; A. Percy, Giovanni Benedetto Castiglione Master Draughtsman of the Italian Baroque, exhib. cat., Philadelphia Museum or Art, 1971, no. E25). The drawing is in the same direction as the print, and differs in some of the details. A drawing related in reverse to the print is in the National Museum, Stockholm, A. Percy, op. cit., no. 48. A studio version of the Stockholm composition is in the Metropolitan Museum of Art, New York (J. Bean, 17th Century Italian Drawings in the Metropolitan Museum of Art, New York, 1979, no. 120).
Ann Percy dates both the print and the Stockholm drawing to the early 1650s.