26 June 2007
Jean-Baptiste-Camille Corot (French, 1796-1875)
Ville D'Avray, Gardeuse de vaches dans une clairière près de l'Étang
signed 'COROT' (lower right)
oil on panel
20 x 18½ in. (50.8 x 47 cm.)
M. Oudinot, Paris, acquired directly from the artist
M. Daubigny, Paris, acquired from from the above
Mr. Post, The Hague. His sale, C.F Roos & Cie, Amsterdam, 14 April 1891, lot 23 (26,000Ffr.) Anonymous sale, Christie's, London, 27 June 1995, lot 132.
Contact Client Service
New York +1 212 636 2000
London +44 (0)20 7839 9060
Asia +852 2760 1766
Studio, Autumn 1902-1903
A. Robaut, 'oeuvre de Corot', Paris, 1965, Vol. III, no. 2069 (illustrated p. 271).
Paris, Durand-Ruel,1878, no. 87.
Although Corot's native village Ville d'Avray provided a hook for an enormous number of Corot's landscapes this typically late example of the motif is quite different to the more topographically accurate composition of lot 202. Corot's interest is purely in evoking a mood of peaceful tranquility, rendered with the silvery light and feathered brushstrokes that are the hallmarks of this period.
The present work was based on a study from nature completed by the artist in his studio. In later years, when the piece was sold to a Dutch collector, the cow behind the figure of the peasant girl was painted over. However, during the 1920s the painting was restored to its original state, and the cow is once more visible. The authenticity of this work has kindly been confirmed by Martin Dieterle.
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium
Discover an Assyrian gypsum relief, a Roman marble torso of Hercules, plus works by Hammershøi, Régnier, Courbet and more
Come with us to to Copenhagen to learn more about the contemplative scenes painted in muted tones by this Danish artist, whose works rarely come to market
Specialist Sarah Reynolds on the women whose work made waves in Victorian Britain, from Emma Sandys to Laura, Lady Alma-Tadema
Artists, patrons and critics have argued for centuries over the right way to frame a painting. Ultimately, it’s a matter of personal taste, says Andrew Graham-Dixon
Looking back on a week of auctions featuring masterworks representing some of the greatest collections assembled in the United States
Explore key British artists from the 19th century to the present day, to be offered across four sales of Modern British Art and British Impressionism this November at Christie’s London.