'La pêche'; and 'L'agréable leçon'

The figures in the first work derive from Boucher's La pêche of 1761, while those in the second painting are based, in reverse, on an earlier work by the artist of 1748 (see A. Ananoff, Boucher, Paris and Lausanne, 1976, II, nos. 632 and 311, respectively).