G. Wildenstein, Gauguin, Paris, 1964, vol. I, p. 129, no. 334 (illustrated, p. 128).
Z. Amishai-Maisels, Gauguin's Religious Themes, Ph.D. Diss., Hebrew University, 1969, p. 168, n. 62.
J.-W. Vojtech and H.T. Newton Jr., Technique and Meaning in the Paintings of Paul Gauguin, Cambridge, 2000, pp. 142-143.
V. Jirat-Wasiutynski, Technique and Meaning in the Paintings of Paul Gauguin, Cambridge, 2000, pp. 142-145 (illustrated, p. 143, fig. 70).
New Orleans Museum of Art (on extended loan).
Miami, Center for the Fine Arts; Delaware Art Museum; Memphis, Dixon Gallery and Gardens; Michigan, Edsel and Eleanor Ford House; Oklahoma City Art Museum; and Seattle Art Museum, French Paintings of Three Centuries from the New Orleans Museum of Art, 1991-1993, pp. 82-83.
New Orleans Museum of Art, New Art for a New Building, April-August 1993, p. 8 (illustrated in color).
Hartford, The Wadsworth Atheneum Museum of Art, Gauguin's Nirvana, Painters at Le Pouldu 1889-1990, January-April 2001, p. 151, no. 24 (illustrated in color, p. 23, fig. 17).