'Black is Right', in Town & Country 99, June 1944, issue 64-67, no. 4261 (illustrated p. 64).
M. Seuphor, Piet Mondrian, Life and Work, New York, 1956, no. 152 (illustrated p. 273).
C. Greenberg, 'Modernist Painting', in Art and Culture Essays, Boston, 1961 (illustrated p. 106).
C.L. Ragghianti, Mondrian e l'arte del XX secolo, Milan, 1962, pp. 332, 338, 375 (illustrated fig. 535, p. 306).
F. Elgar, Mondrian, New York and Washington, 1968, no. 121 (illustrated p. 131).
M.G. Ottolenghi, L'opera completa di Mondrian, Milan, 1974, p. 111, no. 367.
N.J. Troy, 'Correspondence between Katherine S. Dreier and Piet Mondrian', in Mondrian and Neo-Plasticism in America, New Haven, 1979, p. 61.
H. Holtzmann & M. James (eds.) The New Art - The New Life - The Collected Writings of Piet Mondrian, Boston, 1986, no. 170 (illustrated).
J.M. Joosten & Welsh, Piet Mondrian, Catalogue raisonné, Antwerp, vol. II, 1911-1944, 1998, no. B170 (illustated p. 322).
M. Bax, Complete Mondrian, London, 2001, p. 512 (illustrated).
Mannheim, Städtische Kunsthalle, Wege und Richtungen der Abstrakten Malerei in Europe, January - March 1927, no. 253 (titled Komposition III).
(Possibly) Frankfurt, Kunstgewerbemuseum, Der Stuhl, March 1929.
New York, Museum of Modern Art, Piet Mondrian, March - May 1945, no. 27 (titled Composition in White and Red).
New York, Valentine Gallery, Mondrian. Paintings, March 1946, no. 7 (titled Composition. Noir, Blanc, Rouge).
New York, Sidney Janis Gallery, Piet Mondrian, February - March
1951, no. 23 (titled Composition).
New York, Sidney Janis Gallery, 50 Years of Mondrian, November
1953, no. 27 (titled Square Composition).
New York, Sidney Janis Gallery, Examples of the classic phase of Arp & Mondrian in Painting, Sculpture and Relief, January - March 1960, no. 25 (titled Composition in a Square).