S. Götz, American Artists in their New York Studios: Conversations About the Creation of Contemporary Art, Cambridge 1992, p. 63 (illustrated).
E. Lucie-Smith, Movements in Art Since 1945: Issues and Concepts, London 1995, p. 199, 200, 226, 232, 284.
I. Chilvers, Oxford Dictionary of 20th Century Art, Oxford 1998, p. 224.
H. Foster, Design and Crime and Other Diatribes, New York: Verso 2002.
Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art, New York 2003, p. 98-103 (illustrated).
M. Bushkirk, The Contingent Object of Contemporary Art, Cambridge 2003, p. 148 (illustrated).
H. Foster, Prosthetic Gods, Cambridge 2004, p. 326 (illustrated).
New York, Paula Cooper Gallery, Robert Gober, September-October 1989. (another example exhibited).
Rotterdam, Museum Boymans-van Beuningen and Kunsthalle Bern, Robert Gober, May-July 1990, p. 12, 79, 81 (illustrated; another example exhibited).
Paris, Galerie Nationale du Jeu de Paume and Madrid, Museo Nacional Centro de Arte Reina Sofia, Robert Gober, 1991 (illustrated; another example exhibited).
Seville, Pabellon de Espana, Last Days, April-May 1992 (illustrated; another example exhibited).
London, Serpentine Gallery and Liverpool, Tate Gallery, Rober Gober, March-August 1992, p. 29, (illustrated; another example exhibited).
Los Angeles, The Geffen Contemporary, Museum of Contemporary Art, Robert Gober, 1997, p. 64 (illustrated; another example exhibited).
Chicago, The Chicago Cultural Center, Reality Bites: Approaches to Representation in American Sculpture, April-June 1998 (another example exhibited).
Deichtorhallen Hamburg, Emotion - Young British and American Artists from the Goetz Collection, October 1998-January 1999 (illustrated; another example illustrated).
Minneapolis, Walker Art Center; Malmö, Rooseum; Washington D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution and San Francisco Museum of Modern Art, Robert Gober: Sculpture + Drawing, February 1999-September2000, p. 17 (illustrated; another example exhibited).
Greenwich, Bruce Museum, Pleasures of Collecting: Part II, 20th Century & Contemporary Art, January-April 2003.
New York, George Adams Gallery, In the Eye of the Beholder, February-March 2003.
New York, Dickinson Roundell, Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art, May-June 2003.
Kunsthalle Bielefeld, The Big Eat in Art, January 2003-April 2004 (illustrated; another example exhibited).
Columbus, Wexner Center for the Arts, Part Object Part Sculpture, October 2005-February 2006 (illustrated; another example exhibited).
Purchase, Neuberger Museum of Art, Transitional Objects: Contemporary Still Life, September 2006-January 2007.