The Lady and the Unicorn
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The Lady and the Unicorn

Flanders, circa 1500

細節
The Lady and the Unicorn
Flanders, circa 1500
woven with a central, elegantly attired lady with a leashed polecat (?) on one hand and a flower in the other, to the right, a lady cradling a unicorn in her lap and to the left, a youth feeding an exotic bird on his arm, carrying a pouch with the initials AE, all woven against an indigo ground with naturalistic mille-fleurs and the occasional rabbit
142cm x 248cm
來源
Formerly thought to have been part of the La Rochefoucault family collection, France
Jean Dolfus (1823-1911), France
Gogue-Robin collection, France
Jacques Bacri collection, Paris
注意事項
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更多詳情
The famous suite of tapestries, known as the ‘Lady and the Unicorn’, are woven with allegorical figures each with complex religious and secular significance. The Unicorn is associated with feminine chastity but also with the resurrection both of the spiritual and physical body, for example. There are also links with the cult of the Virgin Mary, although in the present lot the Lady appears to be restraining the Unicorn by holding onto the horn. The central Lady’s leashed polecat also suggests the holding in check of the physical world on one hand, whilst at the same time maintaining a symbol of purity in the other. Clearly, the tapestry embodies allusions to a complex moral code.

拍品專文

Compare the series of seven mille-fleurs tapestries in the Cloisters, Metropolitan Museum New York, Aquisition Numbers 37.80.1-6 also woven on an indigo blue background with strikingly similar mille-fleurs background, and which bear the same initials, that is to say 'AE' as woven on the wallet carried by the figure on the left.

The Metropolitan Museum’s examples were formerly attributed to the La Rochefoucault family, The initials were thought to refer to Francois, son of Jean II de La Rochefoucault and Marguerite de Barbezieux, specifically to the first and last letters of his wife Antoinette d’Amboise, and their son Antoine.

It seems likely that the present example was probably part of the same commission.

更多來自 奧利弗·霍爾珍藏

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