Sidney Janis Gallery, New York.
R. Blesh, Modern Art USA: Men, Rebellion, Conquest 1900-1956, New York 1956 (illustration of Woman in the 1952 Sidney Janis Gallery installation).
F. J. Kiesler, "The art of architecture for art," Artnews, Oct. 1957. p. 38 (illustration of Woman in the World House Gallery installation).
T. Hess, Willem de Kooning, New York 1959, no. 88 (illustrated).
H. Janis and R. Blesh, De Kooning, New York 1960, no. 15 (illustrated).
T. Hess, Willem de Kooning, New York and Greenwich, CT 1968, p. 82 (illustrated).
W. D. Bannard, "Willem de Kooning's Retrospective at the M.O.M.A.," Art Forum, Apr. 1969, p. 45 (illustrated).
J. T. Butler, "The American way with art," The Connoisseur, Jan. 1970, p. 72, no. 11 (illustrated).
S. Hunter, Modern Americana--Op, Pop and the School of Color, New York 1970, no. VII (illustrated).
G. Drudi, Willem de Kooning, Milan 1972, no. 61 (illustrated).
H. Rosenberg, Willem de Kooning, New York 1973, no. 52 (illustrated).
E. Lauter, "Homage to Anima: Some Psychological and Cultural Implications of Willem de Kooning's Images of Women," Soundings: An Interdisciplinary Journal, Winter 1976, p. 431 (illustrated).
S. Yard, "Willem de Kooning's Women," Arts Magazine, Nov. 1978, p. 100 (illustrated).
S. Yard, Willem de Kooning: The First 26 Years in New York 1927-1952, New York 1986, no. 25 (illustrated).
M. Auping, Abstract Expressionism: The Critical Developments, New York 1987, p. 111, no. 7 (illustrated).
J. Hobhouse, The Bride Stripped Bare: The Artist and the Nude in the Twentieth Century, London 1988, no. 221 (illustrated).
M. Glimscher, Willem de Kooning/Jean Dubuffet: The Women, New York 1990, p. 10, no. 1 (illustrated).
C. M. Joachimedes & N. Rosenthal, American Art in the 20th Century: Painting and Sculpture 1913-1993, Munich 1993, p. 87 (illustrated).
New York, Sidney Janis Gallery, Young Painters in the U.S. and France, Fall 1950.
New York, Sidney Janis Gallery, and Paris, Galerie de France, American Vanguard for Paris, 1952.
San Francisco Museum of Art, United Nations, May 1955.
The Cleveland Museum of Art, Paths of Abstract Art, Oct.-Nov. 1960, no. 93 (illustrated).
New York, The Museum of Modern Art; Art Institute of Chicago, and The Los Angeles County Museum of Art, Willem de Kooning, Mar.-Sep. 1969, p. 82, no. 51 (illustrated).
Pittsburgh, Museum of Art, Carnegie Institute, Willem de Kooning Pittsburgh International Series, Oct. 1979-Jan. 1980, p. 48, no. 17.
Washington, D.C., National Gallery of Art; New York, The Metropolitan Museum of Art, and London, The Tate Gallery, Willem de Kooning Paintings, May 1994-May 1995, pp. 98, 124, no. 25 (illustrated).
Post Lot Text
CAPTIONS TO BE INSERTED BELOW FIGURES 3-7 IN LOT 7'S ESSAY:
Figure 3: Painting, 1948
The Museum of Modern Art
Figure 4: Bill-Lee's Delight, 1946
Figure 5: Pink Lady, c. 1944
Figure 6: de Kooning in his studio
Figure 7: view from the Young Painters in the U.S. and France exhibition at Sidney Janis Gallery, 1950
Courtesy of Sidney Janis Gallery