A FINE AND IMPORTANT PEACHBLOOM-GLAZED 'THREE-STRING' VASE, LAIFU ZUN
THE PROPERTY OF A GENTLEMAN A COLLECTION OF VERY RARE PEACHBLOOM-GLAZED VESSELS FOR THE WRITING TABLE The ba da ma, or 'Eight Great Numbers', is among the most sophisticated and distinguished of all Imperial porcelains. The extremely desirable peachbloom glaze of variable tones and characteristic is found exclusively on the eight classic shapes that make up the set. The sets themselves were especially devised in these classic forms to serve as requisite appointments for the Emperor Kangxi's writing table.
A FINE AND IMPORTANT PEACHBLOOM-GLAZED 'THREE-STRING' VASE, LAIFU ZUN

Details
A FINE AND IMPORTANT PEACHBLOOM-GLAZED 'THREE-STRING' VASE, LAIFU ZUN
KANGXI SIX-CHARACTER MARK AND OF THE PERIOD (1662-1722)

The high-shouldered body tapering elegantly to the foot, the base of the trumpet neck encircled by three rings, covered overall in a glaze of soft pink tone with red speckling to the body and green speckling to the inner mouth rim, the glaze thinning over the rings and at the lipped rim
7 3/4 in. (19.7cm.) high
Provenance
Mrs. Yale Kneeland, sold at Sotheby's New York, 31 May 1994, lot 373.

Lot Essay

The sanxuan zun derives its name from the rings around the neck which recall the strings used on Chinese musical instruments. It is also called 'turnip-shaped vase' laifu zun, by Chinese scholars after the custom of naming porcelain forms after vegetables. Perhaps its most amusing title is the 'Morgan shape vase' after the American collector who paid a legendary sum for an example in the mid-19th century. It sold after her death in 1886 for US$18,000. Examples of this shape are extremely rare.

Similar examples of this form are illustrated, one in the Metropolitan Museum of Art, by S. Valenstein, A Handbook of Chinese Ceramics, New York, 1989, no. 231 and again in Sekai Toji Zenshu, Tokyo, 1983, vol. 15, pp. 34-35, fig. 27. Another from the Freer Gallery of Art is illustrated by Chait, 'The Eight Prescribed Peachbloom Shapes Bearing the K'ang Hsi marks', published in Oriental Art, 1957, vol. 3, no. 4, p. 132, where he also illustrates the Morgan vase; others are illustrated in Kangxi Yongzheng Qianlong, Hong Kong, 1989, p. 137, col. pl. 120, from the Beijing Palace Museum; in the Min Chiu Society Exhibition of Monochrome Ceramics, Hong Kong, 1977, Catalogue, no. 10. Another example also from the Kneeland collection sold in New York, 1 June 1994, lot 373, which later formed part of the set of eight peachbloom-glazed vessels from the Jingguantang collection, sold in these Rooms, 3 November 1996, lot 557.

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