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    Sale 9735

    OAK, COUNTRY FURNITURE, FOLK ART AND WORKS OF ART

    London, South Kensington

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    12 November 2003

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    • A Nottingham bronze mortar
    Lot 451 | Foreward The remarkable collection of mortars and associated items entered for sale in this catalogue represent an element of the various collections of Robert Spalding MA. Robert Spalding now claims to have stopped collecting. He studied Natural Science at Cambridge a little before the War, following a public school education notable largely for his outstanding quarter-mile. He subsequently trained as a Public Analyst (of food and drugs) becoming a Fellow of the Royal Institute of of Chemistry and upon moving to Maidstone, County Analyst for Kent. For over half a century weekly attendance at Maidstone's Old Lockmeadow Tuesday antique market was a fixed feature of his life. There can be no doubt that this background drew his interest in the antique to the scientific and domestic. Collecting in earnest began as the war ended. At the time artefacts were reasonably plentiful - both in Britain and on the continent, primarily Italy and French North Africa. Robert Spalding's collections, including furnishings and furniture (largely practical!), treen, 18th-century drinking glasses, books, ceramics, scientific instruments and weights and measures, bronzes, domestic metalwork and mortars were largely complete by the early 1970's. Later, more manageable collections included old woodworking tools (he is a talented woodcarver) and Italian States stamps and much else. The mortars, like the other collections were a product of hundreds of Saturdays spent in Portobello Road, the 1950s/60s salerooms, Cheshire Martin's antique shop and Guntrip's antiquarian bookshop - both in Maidstone, the local market and numerous sojourns abroad. Robert Spalding had a natural eye as a collector with a genuine love of the piece. He was a collector of the old school with great breadth and depth of understanding and interest. He was in many ways a true connoisseur and had drawerfuls of objects of vertu in the antiquarian tradition. He took particular delight in seeing something cherished, in seeing something that age and use had embellished, and in seeing something of grace, elegance and unusualness. He did not like to see the loss of charm or character of an over-cleaned or restored piece. For several decades Robert Spalding has lecutred on antiques locally. He has been a single parent to two generations of childen. He now says he needs the space and has given up collecting. I almost believe him. Robert Neil Spalding. ENGLISH MORTARS /WebsiteLevel/More

    A Nottingham bronze mortar

    BY GEORGE OLDFIELD, EARLY 17TH CENTURY

    Price realised

    GBP 2,350

    Estimate

    GBP 600 - GBP 1,000

    Follow lot

    A Nottingham bronze mortar
    By George Oldfield, early 17th century
    The body with four loop handles, two with gadrooned ornament, two with wrought iron ring suspensions, the handles interseceted by the blackletters I, E and L in panels and cast in high relief with the head of a bearded man wearing a Tudor hat

    Provenance

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    Lot Essay

    The blackletter 'R' was used by Henry Jordan of London, c.1460. The I, E and L stamps are also medieval, (first used by the Ruffords, founders at Toddington, Bedford in the 14th century); this alphabet is thought to have come to the Nottingham foundry via Richard Grene of Worcester around 1540.

    COMPARATIVE LITERATURE:
    Tilley and Walters, Church Bells of Warwickshire, 1910, p.61.

    Other information

    Special Notice


    No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium which is invoiced on a VAT inclusive basis
    This lot is subject to Collection and Storage charges


    Pre-Lot Text

    Foreward

    The remarkable collection of mortars and associated items entered for sale in this catalogue represent an element of the various collections of Robert Spalding MA.

    Robert Spalding now claims to have stopped collecting. He studied Natural Science at Cambridge a little before the War, following a public school education notable largely for his outstanding quarter-mile. He subsequently trained as a Public Analyst (of food and drugs) becoming a Fellow of the Royal Institute of of Chemistry and upon moving to Maidstone, County Analyst for Kent. For over half a century weekly attendance at Maidstone's Old Lockmeadow Tuesday antique market was a fixed feature of his life.

    There can be no doubt that this background drew his interest in the antique to the scientific and domestic. Collecting in earnest began as the war ended. At the time artefacts were reasonably plentiful - both in Britain and on the continent, primarily Italy and French North Africa. Robert Spalding's collections, including furnishings and furniture (largely practical!), treen, 18th-century drinking glasses, books, ceramics, scientific instruments and weights and measures, bronzes, domestic metalwork and mortars were largely complete by the early 1970's. Later, more manageable collections included old woodworking tools (he is a talented woodcarver) and Italian States stamps and much else. The mortars, like the other collections were a product of hundreds of Saturdays spent in Portobello Road, the 1950s/60s salerooms, Cheshire Martin's antique shop and Guntrip's antiquarian bookshop - both in Maidstone, the local market and numerous sojourns abroad.

    Robert Spalding had a natural eye as a collector with a genuine love of the piece. He was a collector of the old school with great breadth and depth of understanding and interest. He was in many ways a true connoisseur and had drawerfuls of objects of vertu in the antiquarian tradition. He took particular delight in seeing something cherished, in seeing something that age and use had embellished, and in seeing something of grace, elegance and unusualness. He did not like to see the loss of charm or character of an over-cleaned or restored piece.

    For several decades Robert Spalding has lecutred on antiques locally. He has been a single parent to two generations of childen. He now says he needs the space and has given up collecting. I almost believe him.

    Robert Neil Spalding.

    ENGLISH MORTARS

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