A GEORGE I WALNUT AND BEECH WING CHAIR
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A GEORGE I WALNUT AND BEECH WING CHAIR

EARLY 18TH CENTURY AND LATER

细节
A GEORGE I WALNUT AND BEECH WING CHAIR
EARLY 18TH CENTURY AND LATER
Covered in 18th century needlework depicting biblical scenes, on squared cabriole legs
55 ¼ in. (cm.) high, 32 ½ in. (cm.) wide, 23 ¼ in. (cm.) deep
来源
With Frank Partridge, London, circa 1928.
Mr. Robert Tritton, Godmersham, Park Canterbury, Kent.
Gift of Irwin Untermyer, 1964.
出版
Exhibition of Art Treasures under the Auspices of The British Antique Dealers' Association, Grafton Galleries, London, 1928, no. 31, p. 9.
C. Hussey, 'Godmersham Park, Kent, III', Country Life, 2 March 1945, p. 377 (shown in the Library at Godmersham).
Y. Hackenbroch, English Furniture with some furniture from other countries in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1958, pl. 47-48, figs. 70-71.
Y. Hackenbroch, English and other Needlework, Tapestries and Textiles in the Irwin Untermyer Collection, Cambridge, Massachusetts, 1960, pl. 100-101, figs. 138-139.
M. Swain, 'Pictorial Chair Covers: Some Engraved Sources', Furniture History, 1975, pp. 77-78, figs. 164-166, 168.
Highlights of the Untermyer Collection of English and Continental Decorative Arts, New York, 1977, p. 71, no. 121.
展览
London, Grafton Galleries, Exhibition of Art Treasures under the Auspices of The British Antique Dealers' Association, 1928, no. 31 (with Frank Partridge).
注意事项
This lot is offered without reserve. This Lot is transferred to Christie’s Redstone Post-Sale Facility in Long Island City after 5.00 pm on the last day of the sale. They will be available at Redstone on the following Monday. Property may be transferred at Christie’s discretion following the sale and we advise that you contact Purchaser Payments on +1 212 636 2495 to confirm your property’s location at any given time.

拍品专文

The scenes depicted on the needlework back depict the Baptism of the Eunuch of Ethiopia by Philip (Acts VIII.26-39). Details including the chariot, attendants and open Scriptures on the seat derive from an illustration by Matthew Merian of Basel in the 1627 New Testament published in Frankfurt (M. Swain, pp. 77-78).

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