Ferdinand Georg Waldmüller (Austrian, 1793-1865)
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Ferdinand Georg Waldmüller (Austrian, 1793-1865)

Three graces garlanded with roses

Details
Ferdinand Georg Waldmüller (Austrian, 1793-1865)
Three graces garlanded with roses
signed and dated 'Waldmüller/1856' (lower right)
oil on panel
32¼ x 25 5/8 in. (82 x 65 cm.)
Provenance
Herr von Vlastov, 1865.
Olga Storzer, Prague.
Private collection, Budapest.
Acquired in 1941 through Hermann Hoffmann by The German Reich for the planned Führermuseum, Linz (inv. no. 2001).
Transferred to the Munich Central Collecting Point by Allied Forces (Inv. no. 8590) and restituted to Austria (BDA Salzburg) in 1952.
Stored at Mauerbach and restituted in 1979.
Anonymous Sale; Dorotheum, Vienna, 17 Nov. 1981, lot 185.
Literature
B. Grimschitz, Ferdinand Georg Waldmüller, Salzburg, 1957, p. 352, no. 829.
R. Feuchtmüller, Ferdinand Georg Waldmüller 1793-1865, Vienna, 1996, p. 508, no. 907, illustrated.
Exhibited
Salzburg, Österreichischer Kunstverein, Waldmüller Ausstellung, 1865, no. 54.
Special notice
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

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Clemency Henty
Clemency Henty

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Lot Essay

As was common practice at the Viennese Academy at the beginning of the 19th century, Waldmüler trained his technique by making copies of Old Masters in public collections. Inspired by the classics he travelled to Italy, returning in 1825 to established a successful practice as a portrait painter. His career flourished and he received royal patronage with his portrait of Franz I in 1827. Although his initial reputation was based on the painstakingly executed portraits Waldmülers true fame came with the resounding admiration he received for his landscapes. He would become an artist of great international standing and in the year the present lot was executed, 1856 , during a stay in London, he sold 31 pictures to the British royal household and court.

The present lot combines three elements from his career in a very rare composition of tangible luminosity. Waldmülers has interpreted the classical nude within the contemporary genre, accurately observed and meticulously painted. His skill is self-evident in his keen eye for details, the colourful and lifelike branches of the Oleander - clearly based on a close study of nature - and his way of evoking the atmosphere of the Mediterranean, setting the stage for this mythological scene.

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