拍品專文
US$387,100-516,100
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細節
清
袁耀
漢宮秋月
設色絹本
立軸
款識：袁耀。
鈐印：袁耀、昭道
藏印：龍門柴氏絅營收藏書畫之章
來源：香港佳士得，中國古代書畫，1994年10月30日， 編號82。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啓功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並埗獵名家作品，三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜愛。
此古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶芨著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》、張大千早年精品《描金山水》等佳作。
袁耀
漢宮秋月
設色絹本
立軸
款識：袁耀。
鈐印：袁耀、昭道
藏印：龍門柴氏絅營收藏書畫之章
來源：香港佳士得，中國古代書畫，1994年10月30日， 編號82。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啓功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並埗獵名家作品，三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜愛。
此古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶芨著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》、張大千早年精品《描金山水》等佳作。
來源
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Zhou, Dong Shouping and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings - the fifty two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhengming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Study in a Village by a River, Lu Zhi's NarcissusM and Lan Ying's Landscapes album. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Collection also contains a strong collection of paintings from the Qing dynasty, such as Yuan Yao's Palace under Moonlight, Fu Shan's Cursive Script Calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
In the modern paintings section Xu Beihong's Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
Lot 82, 30 October 1994, Fine Chinese Classical Paintings and Calligraphy, Christie's Hong Kong.
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Zhou, Dong Shouping and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings - the fifty two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhengming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Study in a Village by a River, Lu Zhi's NarcissusM and Lan Ying's Landscapes album. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Collection also contains a strong collection of paintings from the Qing dynasty, such as Yuan Yao's Palace under Moonlight, Fu Shan's Cursive Script Calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
In the modern paintings section Xu Beihong's Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
Lot 82, 30 October 1994, Fine Chinese Classical Paintings and Calligraphy, Christie's Hong Kong.