HENRY GEORGE HOLIDAY (1839-1927)
HENRY GEORGE HOLIDAY (1839-1927)
HENRY GEORGE HOLIDAY (1839-1927)
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HENRY GEORGE HOLIDAY (1839-1927)
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HENRY GEORGE HOLIDAY (1839-1927)

Venus Rising from the Sea

Details
HENRY GEORGE HOLIDAY (1839-1927)
Venus Rising from the Sea
unsigned, in contemporary ebonised artist's frame
enamel on copper
25 x 11 ¼ in. (64.5 x 28.5 cm.)
34 ¼ x 20 ½ in. (87 x 52 cm.), overall
Executed circa 1899.
with labels 'The Fine Arts Society Ltd.../May 1979/HENRY HOLIDAY 1839-1927/Venus Rising from the Sea/Literature.../Exhibited...'; 'Gallery 1020/ CAT# 5007 Holiday, Henry/ B... & Venus/1020 MADISON AVENUE NEW YORK, NY, 10021...'; 'the 7 sentinel BROTHERS/ Stuart Pivar/6 West 67th St/NYC/for/Delaware Art Mus'; and with cutting from [The Paddington, Kensington] and Bayswater Chronicle, circa 1900 including details of the exhibition at 'Mr John Baillie's Gallery, Prince's Terrace' another work in enamels, a half life size work of the crucifixion in enamels on which Holiday collaborated 'with his niece, Miss M. Holiday, and Miss L. S. Wayne.'
Provenance
Possibly commissioned by Mr. Wayne, father of the artist's pupil, Miss Lilian Wayne.
purchased from The Fine Arts Society, London, 1979, no. 46.
Literature
The Fine Arts Society, Morris & Company, Exhibition Catalogue, London, 24 April-18 May 1979, p. 33. no. 46.
R & B. Elzea, The Pre-Raphaelite Era: 1848-1914, Exhibition Catalogue, Annville, PA, 1976, p. 137, no. 6-9.
B. Coleman, The Best of British Arts & Crafts, Atglen, PA, 2004, p. 226, 228.
Exhibited
London, Arts & Crafts Exhibition Catalogue, 'Seventh Exhibition' 1903, no. 461b, 'Aphrodite' (£70), possibly this version.
Delaware Art Museum, 'The Pre-Raphaelite Era: 1848-1914', 12 April-6 June 1976, section VI, no. 6-9.

Brought to you by

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay


A member of the 'Fifteen', a group formed under Lewis F. Day and which later partially amalgamated with the Art Worker's Guild, Henry Holiday is known primarily for his work in stained glass but his creative interests also included mosaics and enamels as well as drawing. He studied at Leigh's Academy and at the Royal Academy Schools and his figurative work is heavily influenced by the Pre-Raphaelites, as evidenced here. His most famous illustrations were produced for Lewis Carroll's The Hunting of the Snark. In 1890 he founded his own glassworks at Hampstead, producing stained glass windows and the influence of that work can be clearly seen here. The dark artist's frame sits in strong contrast with the translucent enamels, created in sections, echoing the leading of a window, light is reflected from the bright copper below giving the impression that the work glows as if lit from behind.

Holiday records in Reminiscences of My Life, that it was in 1899 that he began to experiment with enamels, ably assisted by his niece Winifred Holiday and his 'very clever pupil' Miss Lilian Wayne (London, 1912, p. 437). Holiday also records that Venus Rising from the Sea, was one of his initial concepts in enamel and was produced for Miss Wayne's father and it is possible that this is that very work, although we know that another version was produced by Holiday and retained for his own collection (V. Arwas, Art Nouveau, London, 2000, p. 170, Holiday's own variant/version in artist's mosaic frame illustrated). Holiday's enamels are also discussed at length in H. Murray, 'Enamelling in Relief: Mr. Henry Holiday's Interesting Invention', The Studio, May 1905, vol. 34, pp. 304-309, Holiday's own version of this subject is mentioned p. 306.

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