Born in Saint Petersburg in 1887, Jacovleff demonstrated artistic talent from an early age, leading him to enrol at the Imperial Academy of Arts. There, under the tutelage of Dmitry Kardovsky, he honed a meticulous draftsmanship and appreciation for classical form.
Jacovleff’s early works quickly garnered attention. In 1912, his monumental group portrait On Academic Dacha received critical acclaim at the Baltic Exhibition in Malmö. Jacovleff became a pivotal figure in the artistic circle Mir Iskusstva (World of Art) and was close friends with fellow artists such as Vasiliy Shukhaev. Both Jacovleff and Shukhaev were drawn to the formal discipline of the Renaissance Old Masters and collaborated on works such as Self-Portraits (Harlequin and Pierrot).
In 1913, Jacovleff received a scholarship to study abroad for his paintings, which greatly shaped his artistic style. He studied the Old Masters in Italy and Spain, and later travelled through Mongolia, China and Japan. These expeditions yielded a range of sketches, portraits and scenes of daily life, many of which were published in an album.
With the revolution having broken out in Russia, Jacovleff settled in Paris in 1920. He had become renowned for his ethnographic studies, with this reputation leading him to be appointed as the official artist for two Citroën expeditions — one across Africa and the other across Asia. One of Jacovleff’s paintings from the Africa expedition — Aoua, Femme Banda — was sold for £601,250 by Christie’s in 2010.
In 1934, Jacovleff moved to Boston where he served as Director of the Painting Department at the School of the Museum of Fine Arts until 1937. The artist died the following year, having spent his final months in Paris. Today, his artworks feature in major collections such as National Gallery of Art in the United States and the Art Gallery of New South Wales.
Alexandre Iacovleff (1887-1938)
Aoua, Femme Banda
Alexandre Iacovleff (1887-1938)
Portrait of Salomé Andronikova (1888-1982)
Aleksandr Evgen'evich Iakovlev (1887-1938)
Le troupeau des chameaux, Sahara
Aleksandr Evgen'evich Iakovlev (1887-1938)
Portrait of a Chinese merchant
Aleksandr Evgen'evich Iakovlev (1887-1938)
Mougins, le vieux mas
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude de villages Éthiopiens, Addis-Abeba
ALEXANDRE IACOVLEFF (1887-1938)
Wrestler
Alexandre Iacovleff (1887-1938)
The visit of the lama
Alexandre Iacovleff (1887-1938)
Polo Game at Misgar
Alexandre Iacovleff (1887-1938)
Corrida
Alexandre Iacovleff (1887-1938)
The fruit seller
Aleksandr Evgen'evich Iakovlev (1887-1938)
Still life with jug and apples
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude de village d'Oubangui Chari
Alexandre Iacovleff (1887-1938)
Still life, Capri
Aleksandr Evgen'evich Iakovlev (1887-1938)
Still life with fish
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude de village Éthiopiens, region d'Addis Abeba
ALEXANDRE EVGENIEVICH IACOVLEFF (1887-1938)
Banda accroupi, Ialinga (Oubangui-Chari)
Alexandre Iacovleff (1887-1938)
Femme avec fruits
Aleksandr Evgen'evich Iakovlev (1887-1938)
Two conversing female nudes; Four scenes of Artist and nude models in his studio; and Le crucifix en Bretagne
Aleksandr Evgen'evich Iakovlev (1887-1938)
Standing nude leaning on pedestal; Seated female nude in the library; Ballerina; and Two female nude studies
Alexandre Iacovleff (1887-1938)
Un Turcoman, Heirat
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude des villages Éthiopiens, Abyssinie
Aleksandr Evgen'evich Iakovlev (1887-1938)
Three standing female nudes; Two conversing figures; and In the artist's studio
Alexandre Iacovleff (1887-1938)
Fara Ali, Afdem
Alexandre Iacovleff (1887-1938)
Vieux mendiant, Firuzku
Aleksandr Evgen'evich Iakovlev (1887-1938)
Two studies of a walking male nude carrying a basket
Alexandre Iacovleff (1887-1938)
Antibes
Aleksandr Evgen'evich Iakovlev (1887-1938)
Study of a mountain landscape (illustrated); Study of a kneeling nude; and Study of a seated nude
Alexandre Iacovleff (1887-1938)
Portrait of Boris Grigoriev (1886-1939)
Alexandre Iacovleff (1887-1938)
Study of two Samurai
Alexandre Iacovleff (1887-1938)
Giraffe
ALEXANDRE IACOVLEFF (1887-1938)
Portrait of the conductor Antal Doráti (1906-1988)
Alexandre Iacovleff (1887-1938)
The greengrocers
Alexandre Iacovleff (1887-1938)
Fire in the bush at Yalinga
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude pour des scènes de village à Capri
Aleksandr Evgen'evich Iakovlev (1887-1938)
Portrait of an Afghan (illustrated); Three studies of female nudes (one illustrated)
Alexandre Iacovleff (1887-1938)
Ceres and Neptune
Alexandre Iacovleff (1887-1938)
A Tunisian woman
Aleksandr Evgen'evich Iakovlev (1887-1938)
Étude pour des scènes de village à Capri
Alexandre Iacovleff (1887-1938)
A caravanserai in Afghanistan
Aleksandr Evgen'evich Iakovlev (1887-1938)
Rhinos (illustrated); Study of a male nude; Study of a female nude; and Two studies of a standing female nude (illustrated)
Alexandre Iacovleff (1887-1938)
The girl from Capri
Alexandre Iacovleff (1887-1938)
Le Pressoir
Aleksandr Evgen'evich Iakovlev (1887-1938)
Portrait of Fu Wenzhou
ALEXANDRE IACOVLEFF (1887-1938)
Portrait of Olga Morozova de Basil (1914-1993)
Aleksandr Evgen'evich Iakovlev (1887-1938)
Portrait of Song Jian Zhong
Aleksandr Evgen'evich Iakovlev (1887-1938)
Drawing for '100 Baisers'; Drawing for 'Le Tricorne #1'; Drawing for 'Aurora's Wedding'; and Checking film
Alexandre Iacovleff (1887-1938)
Female torso