Eugène Boudin

Born in 1824, Eugène Boudin was an important precursor to Impressionism. Eschewing a studio practice, he was one of the first artists to paint en plein air, setting up his easel most famously around the northern coastline of France as he worked to capture ‘the simple beauties of nature’. Ever prolific — he created over 4,000 paintings and more than 7,000 watercolours, drawings and pastels — Boudin advanced a new type of landscape painting, one that was fundamentally tied to contemporary life.

Boudin spent his childhood first in Honfleur and then Le Havre, both in Normandy. He left school in 1836 to assist in a printer’s shop, before working for the stationer Alphonse Lemasle. In 1844, Boudin and his colleague Jean Archer opened their own stationary store where they also sold art supplies.

It is not known when Boudin began his own art practice, but in 1845, he showed some of his work to Jean-François Millet. Two years later, Boudin left for Paris, eventually receiving a three-year grant to study painting in the French capital. For the rest of his life, he would split his time between Paris, spending the winter in his studio, and elsewhere in France where he would paint, weather permitting, directly from nature.

Like the future Impressionists, Boudin sought to depict climatic effects: to capture, for example, a fleeting shadow or coastal breeze. His commitment to the landscape genre never wavered. His choice of motif was bound up with his love of the sea, and he set many of his most famous paintings along the Normandy coast — in Deauville, Étretat, and the beach at Trouville, among others — as well as in Brittany. Yet these were compositions rooted in the world, and against the dramatic waves and sandy beaches, Boudin painted families, society women and the many people he encountered.

In 1858, Boudin met Claude Monet, then just a teenager, and encouraged the young artist to join him painting outdoors. The two went on to develop a close friendship and a lifelong correspondence and both appreciated each other’s practice. Monet in particular admired Boudin’s harmonious tonalities and the manner in which he approached the atmosphere’s conditions, later referring to the elder artist as ‘my Master’.

Boudin’s paintings were regularly exhibited at both the Paris Salon and, from 1890, the Salon of La Société National des Beaux-Arts. His work was also included in smaller exhibitions around the country, and beginning in the 1880s, Boudin was one of the artists that the acclaimed dealer Paul Durand-Ruel showed in Britain and the United States. It wasn’t until 1888, however, that the French government began to purchase his works, and in 1892, the artist was awarded the Légion d'honneur.

Diagnosed with stomach cancer, Boudin nevertheless continued to work. Owing to his declining health, he sought warmer climes in the South of France. Though he enjoyed the bright sunshine along the Mediterranean, he continued to express his preference for windy Normandy. Boudin died at his home in Deauville in 1898.

EUGÈNE BOUDIN (1824-1898)

La plage de Trouville

Eugène Boudin (1824-1898)

Scène de plage

Eugene Boudin (1824-1898)

Bordeaux, le port

Eugène Boudin (1824-1898)

Venise. L'entrée du Grand Canal, la Salute et la Douane

EUGENE BOUDIN (1824-1898)

L'embarcadère à Trouville

Eugène Boudin (1824-1898)

Deauville, Juliette sous la tente

Eugène Boudin (1824-1898)

Scéne de plage à Trouville

Eugène Boudin (1824-1898)

Camaret, le port

EUGÈNE BOUDIN (1824-1898)

Venise, église San Giorgio

Eugène Boudin (1824-1898)

Le rivage de Villerville

Eugène Boudin (1824-1898)

Villerville, Rivage, marée montante octobre

Eugene Boudin (1824-1898)

Sur la plage de Trouville

Eugène Boudin (1824-1898)

Venise. Le môle à l'entrée du Grand Canal et la Salute le soir

Eugène Boudin (1824-1898)

La plage de Villers

Eugène Boudin (1824-1898)

Venise, la Salute, la Douane et le début du Grand Canal

Eugène Boudin (1824-1898)

Deauville. Scène de plage

Eugene Boudin (1824-1898)

Beaulieu, La baie des tourmis, Effet du matin

EUGENE BOUDIN (1824-1898)

Scène de plage à Trouville

Eugene Boudin (1824-1898)

Le Havre, le port Saint-Jacques

Eugène Boudin (1824-1898)

Venise, la Salute, la Douane, la Giudecca au fond, vue prise du Grand Canal

Eugene Boudin (1824-1898)

Trouville, Scène de plage

EUGÈNE BOUDIN (1824-1898)

Camaret. La Pointe du Toulinguet

EUGÈNE BOUDIN (1824-1898)

Le Havre. L ’ avant-port

Eugène Boudin (1824-1898)

Personnages sur la plage de Trouville

Eugène Boudin (1824-1898)

Venise. La Salute. La Douane

EUGÈNE BOUDIN (1824-1898)

Trouville, Scène de plage

Eugène Boudin (1824-1898)

Scène de plage

EUGÈNE BOUDIN (1824-1898)

Scène de plage à Trouville

EUGÈNE BOUDIN (1824-1898)

Venise, vue prise de San Giorgio

Eugene Boudin (1824-1898)

Maison et jardin du peintre Braquaval

Eugène Boudin (1824-1898)

Berck. La plage

Eugene Boudin (1824-1898)

La plage de Trouville

Eugène Boudin (1824-1898)

Pleine mer, Les lamaneurs

EUGENE BOUDIN (1824-1898)

Trouville. Scène de plage

Eugène Boudin (1824-1898)

Trouville. Les tentes

Eugène Boudin (1824-1898)

Berck, scène de plage

Eugène Boudin (1824-1898)

Deauville. La plage

Eugène Boudin (1824-1898)

Trouville, les jetées, marée haute

Eugene Boudin (1824-1898)

Trouville, scène de plage

Eugene Boudin (1824-1898)

Etretat. Barques échouées et falaise d'amont

EUGÈNE BOUDIN (1824-1898)

Trouville, Scène de plage

Eugène Boudin (1824-1898)

Trouville, les jetées, marée haute

Eugène Boudin (1824-1898)

Deauville, Le bassin à marée haute

EUGÈNE BOUDIN (1824-1898)

Fête dans le bassin d’Honfleur

Eugène Boudin (1824-1898)

Rouen, vue prise du Cours de la Reine

Eugène Boudin (1824-1898)

Femme à l'ombrelle sur la plage

Eugène Boudin (1824-1898)

Abbeville. Rue et Église Saint-Vulfran