George Stubbs is celebrated for his mastery of animal portraits, particularly horses, which established him as one of the most significant artists of his time. Born in Liverpool in 1724, Stubbs would have grown up around animals through his father’s trade as a currier and leather seller. He also began drawing from an early age, teaching himself to work in oil, and by the early 1740s was painting professionally, his principal subject-matter being portraits.
In 1745 Stubbs moved to York. The artist initially trained himself in anatomy, studying human and animal forms with an almost scientific rigor. This passion for anatomy became a defining feature of his work, especially in his detailed representations of animals. Stubbs would continue to base in Yorkshire, painting, studying and teaching anatomy, drawing and perspective, until 1753. After a brief trip to Rome and settling back in Liverpool for a couple years, Stubbs moved to London between 1758 and early 1759.
The years between 1756 and 1758, when Stubbs was working at Horkstow, a hamlet near Hull in North Lincolnshire, on his Anatomy of the Horse project, are often seen as the crucible period from which he emerged a genius. Published in 1766, this groundbreaking work featured detailed anatomical drawings based on dissections Stubbs conducted himself. His careful study of the horse’s musculature and skeletal structure allowed him to render animals with unprecedented realism. Anatomy of the Horse became an essential reference not just for artists but also for veterinarians and anatomists of the time.
Stubbs is best known for his horse paintings, which captured the grace, power and elegance of the animals. Works such as Whistlejacket (1762), today housed in the National Gallery in London, and his Mares and Foals paintings exemplify his ability to portray horses with lifelike precision while imbuing them with a sense of grandeur. These pictures render the truth to the animal’s majesty and energy.
George Stubbs’ anatomical precision, combined with his keen artistic vision, made his work unique. In his day, Stubbs’ pictures commanded prices on a par with those of other leading artists, yet money and commercial success do not appear to have been his guiding lights, and his output was not particularly large. Today, his works belong in the collections of the Tate Britain in London, the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, D.C., the Walker Art Gallery in Liverpool, and other major institutions worldwide.
George Stubbs died in 1806, aged 81.
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
Gimcrack on Newmarket Heath, with a trainer, a jockey and a stable lad
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
James Hamilton, 2nd Earl of Clanbrassil (1730-1798), with his bay hunter Mowbray, resting on a wooded path by a lake
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
A bay hunter with two playful spaniels
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
Antinoüs , a chestnut racehorse, in a landscape
GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON)
A dark bay horse facing left, with a golden spaniel scenting the ground
George Stubbs, A.R.A. (Liverpool 1724-1806 London) and George Townly Stubbs (York c. 1756-1815)
Thomas Freeman, Lord Clarendon's gamekeeper, with a dog and a shot doe in a wooded river landscape, his gun and hat beside him
GEORGE STUBBS (LIVERPOOL 1724-1806 LONDON)
A dark bay horse facing right, beside a large oak tree
After George Stubbs
Two saddled horses, one ridden by a groom
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
A dark bay hunter beside a tree in an extensive landscape
George Stubbs, A.R.A. (Liverpool 1724-1806 London)
Lord Clermont's Bay racehorse Johnny , in a wooded landscape, with a lake and hills beyond
George Stubbs (Liverpool 1724-1806 London)
Portrait of a gentleman, full-length, preparing to shoot
SUIVEUR DE GEORGES STUBB
Un étalon bai
Attributed to George Stubbs, A.R.A. (Liverpool 1724-1806 London)
Study of the legs of a draught-horse pulling a harrow, driven on by a farm labourer
Follower of George Stubbs, A.R.A.
A lioness and a horse in a cave
George Stubbs (British, 1724-1806)
Shooting
After George Townley Stubbs
Portrait of a gentleman, thought to be Sir Frederick Evelyn, riding with a hound
GEORGE STUBBS, A.R.A. (LIVERPOOL 1724-1806 LONDON)
Mares and Foals in an extensive landscape