Maurice de Vlaminck

Maurice de Vlaminck was a French painter, best known as one of the spearheads of the Fauvism movement at the start of the 20th century. His reputation rests predominantly on his landscapes, though he also produced still lifes and portraits.

Born in Paris in 1876, Vlaminck had relatively little artistic training and, as a young man, dreamt of becoming a professional cyclist. A chance encounter in 1900, however, when he was nearing the end of his national service in the army, proved fateful.

It was with the budding artist, André Derain, whom he met when a train they were aboard derailed. The pair lived in the small town of Chatou, a few miles along the River Seine from Paris, and they chose to complete their homeward journey from the French capital that day on foot. They struck up a friendship, and before long were sharing a studio.

Derain and Vlaminck would become, alongside Henri Matisse, the driving forces behind Fauvism, the first avant-garde art movement of the 20th century. Partly inspired by the recent innovations of Paul Gauguin and Vincent van Gogh, it was characterised by aggressive brushwork, simplified forms and intense non-naturalistic colours. Its name came from the reaction of a critic in 1905 who compared the artists to fauves (‘wild beasts’).

Vlaminck enjoyed painting in primary colours, and is particularly associated with scenes set in and around Chatou. Standout examples include Restaurant de la Machine à Bougival (1905) (today found in the Musée d'Orsay) and The Seine at Chatou (1906) (found in the Metropolitan Museum of Art in New York). The poet Guillaume Apollinaire hailed Vlaminck as ‘the wildest of the Fauves’.

In the years immediately before the outbreak of World War I, the artist’s style shifted. His palette grew slightly more sombre, and there was a greater emphasis on solidity and a landscape's underlying structure. This revealed the influence of Paul Cezanne — the subject of a ground-breaking, posthumous retrospective in Paris in 1907.

Vlaminck worked in a munitions factory during the war. His paintings after it were much darker and more realistic than those with which he had made his name. He died in 1958, aged 82.

In 2011, his Fauvist landscape, Paysage de banlieue, sold for $22.48 million at Christie’s — setting a record for the highest price paid for a work by Vlaminck at auction.

Maurice de Vlaminck (1876-1958)

Paysage de banlieue

Maurice de Vlaminck (1876-1958)

Les régates à Bougival

Maurice de Vlaminck (1876-1958)

Arbres à la maison bleue

Maurice de Vlaminck (1876-1958)

Le Havre, les bassins

Maurice de Vlaminck (1876-1958)

Nature morte bleue

Maurice de Vlaminck (1876-1958)

Personnage assis au bord de la Seine

Maurice de Vlaminck (1876-1958)

Nature morte aux livres et au compotier

Maurice de Vlaminck (1876-1958)

Nature morte au compotier

MAURICE DE VLAMINCK (1876-1958)

Maisons au bord de l'eau

Maurice de Vlaminck (1876-1958)

Deux mats devant la côte

Maurice de Vlaminck (1876-1958)

Le bourg dans la vallée

Maurice de Vlaminck (1876-1958)

La Seine à Chatou

MAURICE DE VLAMINCK (1876-1958)

Les bords de la Seine à Nanterre

Maurice de Vlaminck (1876-1958)

La voile blanche à Bougival

Maurice de Vlaminck (1876-1958)

Le village inondé

Maurice de Vlaminck (1876-1958)

Vallée de la Seine à Meulan

Maurice de Vlaminck (1876-1958)

Bateau-lavoir à Chatou

Maurice de Vlaminck (1876-1958)

Paysage de Bougival

Maurice de Vlaminck (1876-1958)

La Seine à Chatou

Maurice de Vlaminck (1876-1958)

Péniches près du Pont de Chatou

Maurice de Vlaminck (1876-1958)

Paysage avec arbres, maisons et lac

MAURICE DE VLAMINCK (1876-1958)

Le Viaduc de Saint-Germain

MAURICE DE VLAMINCK (1876-1958)

Le village au bord du lac

Maurice de Vlaminck (1876-1958)

Village près de la rivière

Maurice de Vlaminck (1876-1958)

Paysage au clocher au bord de l'eau

Maurice de Vlaminck (1876-1958)

Personnage dans une rue de village

Maurice de Vlaminck (1876-1958)

Bois à La Jonchère

Maurice de Vlaminck (1876-1958)

La Seine aux Andelys