NICOLAS POUSSIN (LES ANDELYS 1594-1665 ROME)

La Conversion de Sainte Catherine

Nicolas POUSSIN (Les Andelys 1594-1665 Rome)

Un homme allongé sur un lit, deux hommes debout derrière, l'un lui tenant la main (recto); et Etude de jambe (verso)

Nicolas POUSSIN (Les Andelys 1594-1665 Rome)

Trois portraits d'artistes de la Renaissance italienne, d'après Les Vies de Giorgio Vasari

Attributed to Nicolas Poussin (Les Andelys, Normandy 1594-1665 Rome)

The Holy Family attended by angels ( recto ); A seated female figure, flanked by a putto (?) ( verso , visible through the paper)

After Nicolas Poussin

A classical landscape with Diogenes casting away his drinking cup; and A classical landscape with the gathering of the ashes of Phoican

NICOLAS POUSSIN (LES ANDELYS 1594-1665 ROME)

Un prêtre, d'après l'antique

Circle of Nicolas Poussin (Les Andelys 1594-1665 Rome)

Hercules bringing the pelt of the Nemean Lion to Eurystheus

Follower of Nicolas Poussin

Venus surprised by satyrs

Follower of Nicholas Poussin

Landscape with travellers before a lake

CIRCLE OF NICOLAS POUSSIN (LES ANDELYS 1594-1665 ROME)

A river god reclining in a landscape

Follower of Nicolas Poussin

Moses striking the rock

Follower of Nicolas Poussin

A Pagan sacrifice

Circle of Nicolas Poussin (Les Andelys, Normandy 1594-1665 Rome)

The Angel appearing to Hagar and Ishmael

Circle of Nicolas Poussin (Les Andelys, Normandy 1594-1665 Rome)

Design for a bas-relief: Hercules and the cattle of Geryon