Jacob Jordaens (Antwerp 1593-1678)
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Jacob Jordaens (Antwerp 1593-1678)

Christ carrying the Cross

细节
Jacob Jordaens (Antwerp 1593-1678)
Christ carrying the Cross
located and dated 'haege 29 martij 1658' and further inscribed in old Dutch with Isaiah 53:7 (on the verso) and with inscription 'Jordaens'
black and red chalk, brown wash
13 x 16½ in. (33 x 42 cm.)
来源
Charles Greenberg; and by descent to the present owner.
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis. Please note Payments and Collections will be unavailable on Monday 12th July 2010 due to a major update to the Client Accounting IT system. For further details please call +44 (0) 20 7839 9060 or e-mail info@christies.com

荣誉呈献

Clemency Henty
Clemency Henty

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拍品专文

The inscription in Jordaens's hand on the verso of this sheet records a verse in old Dutch from the Bible, Isaiah 53:7: 'He is brought as a lamb to the slaughter, and as a sheep before her shearers is dumb, so he openeth not his mouth.' This is the section in which Isaiah foretells the life of Christ and the choice of this particular passage as Jordaens's source explains the unusual prominence of the sheep and the lamb in this crowded scene of the Way to Calvary.

Jordaens's inscription, giving the date of execution, enables the present sheet to be linked with other works which show that the artist was at this date engaged in exploring various aspects of the Passion. Two days earlier, on 27 March 1658, he had executed a chalk and watercolour modello of The Crucifixion (Saint Petersburg, Hermitage, inv. 4203). He was also working on a painting of Christ carrying the Cross for the Church of Saint Francis Xavier in Amsterdam (circa 1655-60; Amsterdam, Rijksmuseum), which has a similarly crowded composition to the present drawing and which replicates a number of the motifs, such as the high priests on horseback and the man carrying a ladder (Jacob Jordaens (1593-1678): Paintings and Tapestries, exhib. cat., Antwerp, Koninklijk Museum voor Schone Kunsten, 1993, no. A91).

The authenticity of the drawing was confirmed by Prof. d'Hulst (written communication, 18 January 1978).