TWO UNUSUAL CLOISONNE ENAMEL DOUBLE-FISH VASES

QIANLONG/JIAQING PERIOD (1736-1820)

细节

TWO UNUSUAL CLOISONNE ENAMEL DOUBLE-FISH VASES
QIANLONG/JIAQING PERIOD (1736-1820)
Each vase is cast as two entwined fish supported on their tails, their open mouths forming the opening of each vase, one with black and white body, the other with red and white body, both adorned with scales in gilt outline and separately cast multi-coloured whiskers. The tails are detailed with 'C' shaped bands of alternating colours and the heads are decorated with polychrome speckling.
10 7/8 in. (27.7 cm.) high (2)

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拍品专文

Ceramic vases in the shape of paired fish became popular among various kilns in China during the ninth century. See for example a Yue ware vase in the shape of two fish in the Percival David Foundation Collection illustrated by R. Scott, Imperial Taste: Chinese Ceramics from the Percival David Foundation, Los Angeles and San Francisco, 1989, pl. 1, where the author also points out that the paired fish became a popular motif on metalwork after the introduction of Tibetan Buddhism in the Yuan dynasty (1280-1368). The fish has traditionally been regarded as a symbol of fertility and abundance, and the entwined paired fish, homophone for continuous abundance, has long been favoured as an auspicious symbol in Chinese decorative arts. It is also one of the Bajixiang, 'Eight Buddhist Emblems'.