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拍品专文
'Spalletti utilise des formes simples et monochromes qui évoquent des moments de l'histoire de l'art qui lui ont servi de points de référence . Pour cet artiste, l'abstraction n'implique pas un renoncement à la tradition ou à ses origines, mais plutôt la possibilité d'approcher les idéaux d'ordre et de perfection à travers les composants de base de la peinture: la couleur, la forme pure, la lumière et la texture qui prennent corps par l'emploi de pigments en poudre.'
'Spalletti uses simple, monochrome forms that evoke moments in the history of art that have served as reference points for him. For this artist, abstraction does not imply a renunciation of tradition or the place where it originates, but rather the possibility of approaching ideals of order and perfection through the basic components of painting: colour, pure form, light and texture, created in Spalletti's case through the use of powdered pigments.'
(Nimfa Bisbe, The Persistence of Geometry, catalogue d'exposition, Barcelone, MACBA, 2011, p. 54)
'Spalletti uses simple, monochrome forms that evoke moments in the history of art that have served as reference points for him. For this artist, abstraction does not imply a renunciation of tradition or the place where it originates, but rather the possibility of approaching ideals of order and perfection through the basic components of painting: colour, pure form, light and texture, created in Spalletti's case through the use of powdered pigments.'
(Nimfa Bisbe, The Persistence of Geometry, catalogue d'exposition, Barcelone, MACBA, 2011, p. 54)