Anna Ostoya (B. 1978)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Anna Ostoya (B. 1978)

Exposures: 20.02.2011

细节
Anna Ostoya (B. 1978)
Exposures: 20.02.2011
signed, titled and dated 'ANNA OSTOYA Exposures: 20.02.2011, 2011' (on the reverse)
acrylic and newspaper collage on canvas
24 x 19 7/8in. (60.8 x 50.5cm.)
Executed in 2011
来源
Bortolami Gallery, New York.
Acquired from the above by the present owner.
展览
New York, Bortolami Gallery, Anna Ostoya, 2011.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

拍品专文

With its poignant play of black and white collaged images, interrupted by a staccato of grey vertical stripes, Exposures: 20.02.2011 is a beautiful example of Anna Ostoya’s original practice that engages with the history of art, from Conceptualism and Dada, to Minimalism. Fragmented figures collide in a harmony of barely distinguishable impressions, while a photograph of a man crouching, camera poised, breaks the regularity of dark stripes in the lower right corner. Conceptually reminiscent of On Kawara’s Today series, Exposures: 20.02.2011 is made of collaged pieces from that specific day’s newspaper, and constitutes a visual account of a passing moment in the life of humanity, an impression highlighted by the shuttering effect created by the rhythmic alternation of grey stripes. She writes, ‘In my painting I deconstruct images to construct new ones. I vivisect images into fragments letting new connections and new contents appear. Then I arrange what I see, trying to enclose the chaos in a lasting picture’
(A. Ostoya, Disclosures, http:/ bortolamigallery.com/site/wp-content/uploads/2014/10/Anna-Wall-Text-in-Disclosures.pdf?23a211).

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