拍品专文
The authenticity of this work has been verbally confirmed by Doctor Elena Gigli.
In a letter to Gian Enzo Sperone, Maurizio Fagiolo dell'Arco dates the present work around 1918. He describes Forze spaziali 'a work in which Balla introduces forms of speed (thus not "abstract") combined with forms of landscape, with the purpose of creating a project for a decorative object'. He continues, stating: 'Its colour palette, from coldest to warmer, makes this small work a synthesis of the artist's research, from the "iridescent interpenetration" to his studies on "speed + landscape"'.
In a letter to Gian Enzo Sperone, Maurizio Fagiolo dell'Arco dates the present work around 1918. He describes Forze spaziali 'a work in which Balla introduces forms of speed (thus not "abstract") combined with forms of landscape, with the purpose of creating a project for a decorative object'. He continues, stating: 'Its colour palette, from coldest to warmer, makes this small work a synthesis of the artist's research, from the "iridescent interpenetration" to his studies on "speed + landscape"'.