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拍品专文
The term Langyao (Lang ware), derives its name from Lang Tingji, director of the official kilns at Jingdezhen between 1705-1712, who is credited with the revival of monochrome glazes and particularly copper-red glazes. The copper-red colour is often considered the most challenging to regulate during the firing process as exactly the right conditions are required within the kiln to achieve the rich tones demonstrated by the present lot. Although copper-red was used successfully in the Ming dynasty, particularly in the Xuande period, the copper-red monochrome glazes seen in the Qing dynasty became even more refined and were of an exceptionally even and vibrant tone. The fine glaze and elegant form of the present vase exemplifies the skill of the Chinese potters under Lang Tingji.
The shape of the current vase, which is sometimes referred to as a ‘Guanyin vase’, is characteristic of Lang wares. Compare three Langyao vases of similar shape, one in the collection of the National Palace Museum, Taipei, which is fitted with a metal insert, see collection number: guci-013278 (fig. 1); another in the collection of the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, Hong Kong, 1999, p. 18, no. 15; and one from the J.J. Lally & Co., sold at Christie’s New York, 23 March 2023, lot 900 (fig. 2).
The shape of the current vase, which is sometimes referred to as a ‘Guanyin vase’, is characteristic of Lang wares. Compare three Langyao vases of similar shape, one in the collection of the National Palace Museum, Taipei, which is fitted with a metal insert, see collection number: guci-013278 (fig. 1); another in the collection of the Palace Museum, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum, Monochrome Porcelain, Hong Kong, 1999, p. 18, no. 15; and one from the J.J. Lally & Co., sold at Christie’s New York, 23 March 2023, lot 900 (fig. 2).