AN ATTIC BLACK-FIGURED HYDRIA
AN ATTIC BLACK-FIGURED HYDRIA
AN ATTIC BLACK-FIGURED HYDRIA
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AN ATTIC BLACK-FIGURED HYDRIA

ATTRIBUTED TO THE MANNER OF THE ANTIMENES PAINTER, CIRCA 530-520 B.C.

细节
AN ATTIC BLACK-FIGURED HYDRIA
ATTRIBUTED TO THE MANNER OF THE ANTIMENES PAINTER, CIRCA 530-520 B.C.
18 in. (45.7 cm.) high
来源
with Galerie Günter Puhze, Freiburg (Kunst der Antike, vol. 1, 1977, no. 115; Kunst der Antike, vol. 2, 1979, no. 63; Antike Kunst, vol. 20, no. 1, 1977, p. V).
Dr. Manfred Zimmermann (1935-2011), Bremen, Germany, acquired from the above by 1986; thence by descent to the current owner.
出版
W. Hornbostel, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz, Hamburg, 1986, pp. 62-63, no. 23.
J. Burow, Der Antimenesmaler, Mainz, 1989, p. 104, no. VIII.
M. Steinhart, Töpferkunst und Meisterzeichnung: Attische Wein- und Ölgefässe aus der Sammlung Zimmermann, Mainz, 1996, pp. 54-57, no. 9, pl. 4.
F. Hildebrandt, Antike Bilderwelten: Was griechische Vasen erzählen, Darmstadt, 2017, pp. 42, 129, figs. 34, 128; p. 145, no. 21.
Beazley Archive Pottery Database no. 408.
展览
Hamburg, BATIG Foyer Esplanade; Kiel, Landesbank Schleswig-Holstein Girozentrale; Bremen, Übersee-Museum, Aus der Glanzzeit Athens: Meisterwerke griechischer Vasenkunst in Privatbesitz, 29 May 1986-18 January 1987.
Bremen, Antikenmuseum im Schnoor, 2005-2018.
Hamburg, Museum für Kunst und Gewerbe, 2018-2023.

荣誉呈献

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

拍品专文

The body of this large hydria depicts a procession of the gods. To the right is Hermes, shown bearded and wearing his winged boots and a broad-rimmed petasos. He holds his signature kerykeion in his left hand. In the center is Dionysos, clad in a chiton and himation, with a wreath in his hair, holding large branches of ivy that fill the space around him. On the far left is another similarly draped god, perhaps Zeus, holding a scepter in his right hand. In between the gods are two pairs of draped female figures, their flesh indicated by added white (some now missing), with one in each grouping holding a pair of krotala (castanets) in her outstretched hand. On the shoulders are two racing quadrigae and in the predella are panthers and deer.

Steinhart (op. cit., p. 56) remarks that the female figures are probably nymphs, deities associated with springs and lakes, who are frequently depicted making music. They are associated with Dionysos, in whose entourage they often appear, but also with Hermes, who the Athenian statesman Aristeides called “the leader of the nymphs,” and Zeus, who is considered their father by Homer.

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