JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)
JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)
JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)
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JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)
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PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)

A winter river landscape with travellers on a path

细节
JAN BRUEGHEL I (BRUSSELS 1568-1625 ANTWERP) AND JOOS DE MOMPER II (ANTWERP C.1564-1635)
A winter river landscape with travellers on a path
oil on panel
26 1⁄8 x 61 ½ in. (66.4 x 156.2 cm.)
来源
Collection of the Barons de Heusch de la Zangrye, and by inheritance in the family to the following,
Baroness de Heusch de la Zangrye, s'Hertogenbosch, from whom acquired by,
Piet de Boer (1894-1974), Hergiswil, by 1964, by whom very probably sold to,
Dr. Andreas Becker, Dortmund, by 1967 and until 1975.
with Galerie Cramer, The Hague, where acquired by the father of the present owner in July 1976.
出版
R. Fritz, Sammlung Becker I: Gemälde alter Meister, Dortmund, 1967, no. 73, illustrated.
'Delft Antique Dealers' Fair 1975 - Galerie Cramer Advertisement', Apollo, CII, October 1975, p. 84.
M. L. Flammersfeld, 'Vorschau auf die Delfter Antiekbeurs', Weltkunst, XLV, 1 October 1975, p. 1592, illustrated.
K. Ertz, Jan Brueghel d. A. Die Gemälde mit kritischem Oeuvrekatalog, Cologne, 1979, pp. 484-6 and 624, no. 404, fig. 587 and 588 (detail).
T. Gerszi, 'Joos de Momper und die Bruegel-Tradition', Netherlandish Mannerism, Stockholm, 1985, p. 163, fig. 21, as 'Joos de Momper'.
K. Ertz, Josse de Momper der Jüngere (1564-1635): die Gemälde mit kritischem Ouvrekatalog, Freren, 1986, pp. 140 and 577, no. 401, fig. 117.
K. Ertz and C. Nitze-Ertz, Jan Brueghel der Ältere: die Gemälde, mit kritischem Oeuvrekatalog, IV, Lingen, 2008-2010, p. 1583, no. 771, illustrated.

荣誉呈献

Maja Markovic
Maja Markovic Director, Head of Evening Sale

拍品专文

Jan Brueghel the Elder and Joos de Momper the Younger enjoyed a fruitful collaboration over the course of some thirty years beginning in the early 1590s, through to at least 1623, that resulted in no fewer than 200 hundred surviving pictures (see Ertz and Nitze-Ertz, op. cit., nos. 604-810). The vast majority of these paintings saw Brueghel add the figures into the mountainous panoramas for which de Momper was so highly regarded. The present winter landscape is a relatively unusual collaboration between the two artists, with fewer than thirty such examples known. Their joint production of these winter scenes only appears to have begun in the second decade of the seventeenth century.

It is perhaps fitting that Jan the Elder provided the staffage for this landscape, which Klaus Ertz has dated to circa 1615-20 (op. cit.). As Teréz Gerszi has pointed out, the painting is a unique take on the tradition of Jan’s father, Pieter Bruegel the Elder (op. cit.). The painting, which Gerszi described as a ‘very high quality forward-looking’ (‘sehr qualitätvolle vorwärtsweisende’) landscape, displays ‘only a faint reflection’ (‘nur einen schwachen Abglanz’) of the elder Bruegel’s pioneering Winter landscape with skaters and bird trap of 1565 in Brussels (fig. 1). Specifically, de Momper has flipped the structure of the composition so that the most prominent houses anchor the left rather than right-hand portion of the composition while retaining the earlier painting’s striking orthogonally-drawn canal.

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