RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL
RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL
RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL
6 更多
RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL
9 更多
The property of a Lady
RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL

CHINE, DYNASTIE QING, DATÉ DE L'ANNÉE RENSHEN DU RÈGNE DE KANGXI, CORRESPONDANT À 1692

细节
RARE PARAVENT À DOUZE FEUILLES EN LAQUE DE COROMANDEL
CHINE, DYNASTIE QING, DATÉ DE L'ANNÉE RENSHEN DU RÈGNE DE KANGXI, CORRESPONDANT À 1692
Le revers porte une inscription soulignée à l'or comportant l'année cyclique renshen.
Dimensions d'une feuille : 300 x 58 cm. (118 ½ x 22 ¾ in.)
来源
Collection of C. Ruxton and Audrey B. Love ; their sale, Christie's New York, The C. Ruxton and Audrey B. Love Collection: Important European Furniture and Asian Works of Art, 20 October 2004, lot 448.
更多详情
A VERY RARE TWELVE-PANEL COROMANDEL LACQUER SCREEN
CHINA, QING DYNASTY, DATED TO THE RENSHEN YEAR OF KANGXI, CORRESPONDING TO 1692, AND OF THE PERIOD

荣誉呈献

Tiphaine Nicoul
Tiphaine Nicoul Head of department

查阅状况报告或联络我们查询更多拍品资料

登入
浏览状况报告

拍品专文

According to the inscription on the reverse, which is dated to renshen year of the Kangxi reign (1692), the screen is dedicated to Mr. Xie, the governor of Rui’an county, Zhejiang province, on the occasion of his birthday. The author of this dedicative inscription is Shen Tingwen, who was conferred the honorable title zhuangyuan (first in the highest imperial examination) in the 27th year of Kangxi (1688).

The scenes on the screen include scenic locations in Quanzhou, Fujian province, as well as in Hangzhou and Fengshan in Zhejiang province. Another screen of this type decorated with eight scenic views of Hangzhou, which also has a lengthy dedicatory inscription bearing a Kangxi date corresponding to 1670 on the reverse, in the Asian Art Museum, San Francisco, is illustrated by Hai-wai Chen, Chinese Art in Overseas Collections; Lacquerware, National Palace Museum, Taiwan, 1987, pp. 182-3, no. 177.

更多来自 亚洲艺术

查看全部
查看全部