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Property from a Distinguished Private Collection
TIFFANY STUDIOS
Important Exhibition 'Morning Glory' Paperweight Vase, circa 1914-1915
细节
TIFFANY STUDIOS
Important Exhibition 'Morning Glory' Paperweight Vase, circa 1914-1915
Favrile glass
7 3⁄8 in. (18.7 cm) high, 4 ¾ in. (12.1 cm) diameter
engraved L.C.Tiffany-Favrile Award Paris Salon 1915 and partially effaced number 2912K
Important Exhibition 'Morning Glory' Paperweight Vase, circa 1914-1915
Favrile glass
7 3⁄8 in. (18.7 cm) high, 4 ¾ in. (12.1 cm) diameter
engraved L.C.Tiffany-Favrile Award Paris Salon 1915 and partially effaced number 2912K
来源
Sotheby's, New York, December 6, 1997, lot 510
Private Collection
Sotheby's, New York, June 13, 2012, lot 6
Acquired from the above by the present owner
Private Collection
Sotheby's, New York, June 13, 2012, lot 6
Acquired from the above by the present owner
出版
R. Koch, Louis C. Tiffany’s Glass, Bronzes, Lamps, New York, 1971, pp. 31 (for a watercolor study of 'Morning Glories' by Louis Comfort Tiffany); 83, no. 98 (for the above mentioned watercolor study)
R. Koch, Louis C. Tiffany’s Art Glass, New York, 1977, n.p., no. 24-3 (for a related example); no. 97-4 (for a related example); no. 120 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office); no. 127 (for a related example)
A. Christian Revi, American Art Nouveau Glass, Exton, 1981, pp. 26, fig. 23 (for the above period photograph); center insert, n.p. (for a related example)
A. Duncan, Tiffany at Auction, New York, 1981, pp. 14, no. 2; 24, no. 46; 36, nos. 83-85 (for related examples)
M. Eidelberg and N. A. McClelland, Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, Including Tiffany Favrile Glass by Leslie Hayden Nash, New York, 2001, pp. 25 (for a period illustration of a ‘Morning Glory’ vase by Leslie Hayden Nash), 80-83 (for a discussion on the making of ‘Morning Glory’ vases), 81 (for a period photograph of the Salon des Artistes Indépendants in the Grand Palais, Paris, 1914), 82 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office and a painting by Leslie H. Nash of chemical reactive glass vases), 83 (for the above mentioned watercolor study), 217 (for the above mentioned exhibition period photograph and a related example)
J. Loring, Louis Comfort Tiffany at Tiffany & Co., New York, 2002, p. 163 (for a related example)
A. Duncan, Louis C. Tiffany: The Garden Museum Collection, Suffolk, 2004, pp. 258 (for the above mentioned watercolor study), 259 (for period photographs of this model)
M. A. Johnson, Louis Comfort Tiffany: Artist for the Ages, London, 2005, p. 148, cat. no. 54 (for a related Tiffany textile with a ‘Morning Glory’ pattern); 149, cat. no. 55 (for a related example); 150, cat. no. 56 (for a related example)
A. Cooney Frelinghuysen, Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate, exh. cat., The Metropolitan Museum of Art, New York, 2006, p. 123, fig. 208 (for a related example)
M. Eidelberg, Tiffany Favrile Glass and the Quest of Beauty, New York, 2007, p. 68, fig. 81 (for a related example)
R. M. Pepall, Tiffany Glass: A Passion for Colour, exh. cat., Montreal Museum of Fine Arts, Montreal, 2009, p. 156, cat. no. 118 (for a related example); 204, fig. 5 (for the above mentioned exhibition period photograph)
P. E. Doros, The Art Glass of Louis Comfort Tiffany, New York, 2013, p. 3 (for a related example); 45 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office); 141, fig. 89 (for a related example)
R. Koch, Louis C. Tiffany’s Art Glass, New York, 1977, n.p., no. 24-3 (for a related example); no. 97-4 (for a related example); no. 120 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office); no. 127 (for a related example)
A. Christian Revi, American Art Nouveau Glass, Exton, 1981, pp. 26, fig. 23 (for the above period photograph); center insert, n.p. (for a related example)
A. Duncan, Tiffany at Auction, New York, 1981, pp. 14, no. 2; 24, no. 46; 36, nos. 83-85 (for related examples)
M. Eidelberg and N. A. McClelland, Behind the Scenes of Tiffany Glassmaking: The Nash Notebooks, Including Tiffany Favrile Glass by Leslie Hayden Nash, New York, 2001, pp. 25 (for a period illustration of a ‘Morning Glory’ vase by Leslie Hayden Nash), 80-83 (for a discussion on the making of ‘Morning Glory’ vases), 81 (for a period photograph of the Salon des Artistes Indépendants in the Grand Palais, Paris, 1914), 82 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office and a painting by Leslie H. Nash of chemical reactive glass vases), 83 (for the above mentioned watercolor study), 217 (for the above mentioned exhibition period photograph and a related example)
J. Loring, Louis Comfort Tiffany at Tiffany & Co., New York, 2002, p. 163 (for a related example)
A. Duncan, Louis C. Tiffany: The Garden Museum Collection, Suffolk, 2004, pp. 258 (for the above mentioned watercolor study), 259 (for period photographs of this model)
M. A. Johnson, Louis Comfort Tiffany: Artist for the Ages, London, 2005, p. 148, cat. no. 54 (for a related Tiffany textile with a ‘Morning Glory’ pattern); 149, cat. no. 55 (for a related example); 150, cat. no. 56 (for a related example)
A. Cooney Frelinghuysen, Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate, exh. cat., The Metropolitan Museum of Art, New York, 2006, p. 123, fig. 208 (for a related example)
M. Eidelberg, Tiffany Favrile Glass and the Quest of Beauty, New York, 2007, p. 68, fig. 81 (for a related example)
R. M. Pepall, Tiffany Glass: A Passion for Colour, exh. cat., Montreal Museum of Fine Arts, Montreal, 2009, p. 156, cat. no. 118 (for a related example); 204, fig. 5 (for the above mentioned exhibition period photograph)
P. E. Doros, The Art Glass of Louis Comfort Tiffany, New York, 2013, p. 3 (for a related example); 45 (for a period photograph of a related example on the mantel of a Tiffany tiled fireplace in the factory office); 141, fig. 89 (for a related example)
展览
Paris, La Société Nationale des Beaux-Arts, 1915
荣誉呈献
Daphné Riou
SVP, Senior Specialist, Head of Americas