HONORÉ-VICTORIN DAUMIER (MARSEILLE 1808-1879 VALMONDOIS)
HONORÉ-VICTORIN DAUMIER (MARSEILLE 1808-1879 VALMONDOIS)
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HONORÉ-VICTORIN DAUMIER (MARSEILLE 1808-1879 VALMONDOIS)

The market (Le marché)

细节
HONORÉ-VICTORIN DAUMIER (MARSEILLE 1808-1879 VALMONDOIS)
The market (Le marché)
signed 'H. Daumier' (lower left)
black chalk, crayon, brown wash, fragmentary watermark 'INES'
9 5⁄8 x 6 5⁄8 in. (24.4 x 17 cm)
来源
Madame Pierre Bureau, Paris; then by descent to her son
Paul Bureau, Paris; Galerie Georges Petit, Paris, 20 May 1927, lot 67.
with Galerie Jacques Dubourg, Paris.
John D. Rockefeller Jr. (1874-1960), New York, by 1934; by inheritance to
Mrs. John D. Rockefeller Jr., New York.
出版
A. Alexandre, Honoré Daumier. L’Homme et l’Œuvre, Paris, 1888, p. 377.
C. Roger-Marx, Les Maîtres du Dessin, Paris, 1901, II, pl. LXXI.
C. Veth, 'Honoré Daumier en de hedendaagsche kunstbeschouwing', Elseviers Geïllustreerd Maandschrift, XXXI, no. 4, 1921, p. 228, pl. XLVII.
E. Klossowski, Honoré Daumier, Munich, 1923, p. 113, no. 289.
E. Fuchs, Der Maler Daumier, Munich, 1927, p. 231, ill.
R. Escholier, Daumier, Paris, 1930, pl. 56.
B. Fleischmann, Honoré Daumier. Gemälde - Graphik, Vienna, 1937, p. 40, no. 73, ill.
J. Lassaigne, Daumier, New York and Paris, 1938, p. 167, no. 95, ill.
M. Sachs, Honoré Daumier, Paris, 1939, p. 24, no. 73, ill.
C. Schweicher, Daumier, Paris, 1953, no. 38.
J. Adhémar, Honoré Daumier, Paris, 1954, p. 118, no. 52, ill.
J. Adhémar and C. Roger-Marx, Honoré Daumier. Drawings and Watercolours, New York and Basel, 1954, p. 19, no. 10, ill.
K. E. Maison, Honoré Daumier. Catalogue Raisonné of the Paintings, Watercolours and Drawings, II, New York, 1967, no. 731, pl. 289.
展览
Paris, Galerie Durand-Ruel, Exposition des Peintures et Dessins de H. Daumier, 1878, no. 112.
Paris, Grand Palais des Champs-Élysées, Exposition centennale de l'art français (1800-1889), 1900, no. 857.
Paris, École des Beaux-Arts, Exposition Daumier, May 1901, no. 130.
New York, Museum of Modern Art, Corot-Daumier. Eighth Loan Exhibition, 16 October-23 November 1930, no. 120.
Paris, Musée de l'Orangerie, Daumier. Peintures, Aquarelles, Dessins, 1934, no. 68.
Philadelphia, Philadelphia Museum of Art, Daumier 1808-1879, 1937, no. 18.

荣誉呈献

Giada Damen, Ph.D.
Giada Damen, Ph.D. Specialist

拍品专文

Over a period of more than thirty years Daumier depicted every aspect of life in the bustling city of Paris. In his drawings and widely circulated lithographs the artist captured the world around him and all the variety of characters with which it was populated (C. Ives, ‘Contemporary Genre. Urbanity and Domesticity’, in Daumier Drawings, exhib. cat., Frankfurt, Städelsche Kunstinstitut, and New York, Metropolitan Museum of Art, 1992, pp. 120-121).

Daumier was fascinated by the women, men and children he saw on the crowded streets. Women shopping in busy markets, sometimes dragging with them small children, were one of the artist’s favorite subjects; the woman depicted in this drawing recurs also, with some differences, in another sketch drawn only with brown wash (location unknown; Maison, op. cit., no. 730, ill.).

When the drawing was in Madame Bureau’s collection, it was translated into a lithograph by Héliog J. Chauvet with the title La rue. The lithograph was published by Roger-Marx in the magazine Les maîtres du dessin, a monthly publication containing reproductions of the most beautiful drawings of all schools (Roger-Marx, op.cit.) and the drawing was exhibited at the World Fair in Paris in 1900.

The drawing has a prestigious provenance as it belonged to Madame Bureau and later to her son Paul, who added to the works collected by his parents and created one of the finest collections of Daumier’s drawings in the 19th Century. Madame Bureau and Paul had been themselves the subject of one of Daumier’s drawings.

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