AERT VAN DER NEER (AMSTERDAM C.1603–1677)
AERT VAN DER NEER (AMSTERDAM C.1603–1677)
AERT VAN DER NEER (AMSTERDAM C.1603–1677)
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AERT VAN DER NEER (AMSTERDAM C.1603–1677)

A moonlit river landscape with figures on the bank and a town beyond

细节
AERT VAN DER NEER (AMSTERDAM C.1603–1677)
A moonlit river landscape with figures on the bank and a town beyond
signed in monogram 'AV DN' ('AV' and 'DN' linked, lower center)
oil on panel
18 ¼ x 27 ½ in. (46.4 x 70 cm.)
来源
Étienne-Edmond Martin de Beurnonville (1825-1906), Baron de Beurnonville, Paris; his sale, Hôtel Drouot, Paris, 21 May 1883, lot 74.
with Terry-Engell Gallery, London, by 1961, where acquired by the following,
Private collection, and by descent until, anonymously sold; Christie's, London, 11 July 2001, lot 35, where acquired by the present owner.
出版
C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII. Jhts, VII, London, 1923, p. 413, no. 378.
'The Netherlands in Landscape at the Terry-Engell Gallery,' The Connoisseur, CXLVIII, 1961, p. 170, illustrated.
W. Schulz, Aert van der Neer, Doornspijk, 2002, p. 383, no. 1000.
展览
London, Terry-Engell Gallery, The Netherlands in Landscape: Exhibition of Fine Paintings of the 17th-Century Dutch and Flemish Schools, 25 October-30 November 1961, no. 20.

荣誉呈献

Laura H. Mathis
Laura H. Mathis VP, Specialist, Head of Sale

拍品专文

By 1640, Aert van der Neer was established as a landscape painter, focusing on just a few subjects: winter scenes, snowstorms and nocturnes, particularly moonlit river scenes. This painting follows his characteristic approach to composing landscapes with a slightly elevated vantage point, a path stretching across the foreground populated with figures, far riverbanks dotted with architecture, and a river receding into the distance. Wolfgang Shulz lists this work among a number of similar moonlit landscapes and notes one copy of the present work (sold Anonymous sale, Rudolf Lepke, Berlin, 20 March 1900, lot 40). Van der Neer's mastery of reflected moonlight on the clouds, water and riverbanks, along with his use of a limited tonal palette of cool blues, browns, and a silvery white moonlight, give a sense of depth and convey the atmospheric effects of night falling.

This painting is first recorded in an 1883 sale of works belonging to the celebrated French collector Baron Étienne-Edmond Martin de Beurnonville (see Provenance). His collection included more than 1,000 paintings, drawings and sculpture, with works by Rembrandt van Rijn, Sir Peter Paul Rubens, Meindert Hobbema, and Salomon van Ruysdael, many of which are now in public collections.

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