RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES
3 更多
Property from a European Private CollectionChristie’s is honoured to offer this collection of Chinese and Japanese art in Art d’Asie and Art of Asia online this June. The collection was assembled over the last thirty years with the majority of works acquired from leading international auction houses and dealers including Spink & Son, Marchants, Vanderven and Vanderven and Jorge Welsh.
RARE COUPE À PIED EN PORCELAINE BLEU BLANC À DÉCOR DE DRAGONS ET CARPES

CHINE, DYNASTIE QING, MARQUE À SIX CARACTÈRES EN CACHET EN LIGNE EN BLEU SOUS COUVERTE ET ÉPOQUE QIANLONG (1736-1795)

细节
Diamètre : 22,8 cm. (9 in.)
来源
The Keralakis Family Collection.
With S. Marchant & Son, London, 1 April 2005.
出版
S. Marchant & Son, Qing Mark and Period Blue and White, S. Marchant & Son, London, 1984, cat. no. 24.
展览
London, S. Marchant & Son, Qing Mark and Period Blue and White, 11-22 June 1984.
更多详情
A RARE BLUE AND WHITE ‘DRAGON AND CARP’ TAZZA
CHINA, QING DYNASTY, QIANLONG SIX-CHARACTER SEAL MARK IN A LINE IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

荣誉呈献

Tiphaine Nicoul
Tiphaine Nicoul Head of department

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拍品专文

The "Carp and Dragon Transformation" motif is a distinctive decorative pattern seen on Qing Dynasty ceramics, symbolizing the legendary ascent of the carp over the dragon gate. As noted in the Confucius Family Sayings, when Confucius had a son, Duke Zhao of Lu presented him with a carp as a gift, which led to the child being named Li, with the courtesy name Boyu. Additionally, the Shuoyuan recounts the story: "In ancient times, a white dragon descended into a cold abyss and transformed into a fish." This motif was particularly popular during the early Qing period, characterized by a style that defines the era. It often represented the aspiration for success in the imperial examinations and rapid advancement in life.
This type of elevated-footed dish first appeared during the Kangxi reign and was also produced during the Qianlong period, with surviving examples mostly limited to these two reigns and virtually absent thereafter. Such vessels were likely commissioned for use at the imperial court, distinguishing them from the more common official kiln wares.
Similar examples include one depicted in Beauty of Ceramics, vol. 3: Blue and White Porcelain, Taipei, 1993, plate 153. For earlier prototypes, refer to a Kangxi reign-marked tazza in the National Palace Museum, Taipei, featured in Illustrated Catalogue of Ch’ing Dynasty Porcelain in the National Palace Museum, Taipei, vol. 1, 1980, plate 15.

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