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Elaine: The Collection of Elaine Wynn
LUCIAN FREUD (1922-2011)
The Painter Surprised by a Naked Admirer
细节
LUCIAN FREUD (1922-2011)
The Painter Surprised by a Naked Admirer
oil on canvas
54 x 42 in. (137.2 x 106.7 cm.)
Painted in 2004-2005.
The Painter Surprised by a Naked Admirer
oil on canvas
54 x 42 in. (137.2 x 106.7 cm.)
Painted in 2004-2005.
来源
Acquavella Galleries, New York
Acquired from the above by the late owner, 2005
Acquired from the above by the late owner, 2005
出版
S. Smee, Lucian Freud 1996-2005, New York, 2005, n.p., pl. 98 (illustrated; dated 2005).
W. Feaver, “New work of an old master,” Evening Standard, 12 April 2005, p. 47 (illustrated; titled The Painter Is Surprised by a Naked Admirer).
V. Low, “Mystery of nude in Freud’s new painting,” Evening Standard, 12 April 2005, p. 3 (detail illustrated).
C. Higgins, “Painting of an Image of a painting being painted,” The Guardian, 13 April 2005, digital (illustrated; titled The Painter Is Surprised by a Naked Admirer).
R. C. Johnston, “Leaving the impression of an apple cast out of paradise,” The Times, 13 April 2005, p. E13.
L. Jury, “Freud’s self-portrait sparks search for Identity of nude,” The Independent, 13 April 2005, p. 7 (detail illustrated).
J. Malvern, “The Freudian muse without a slip,” The Times, 13 April 2005, digital.
“Self-portrait of Lucian Freud shown,” Los Angeles Times, 14 April 2005, p. 13.
A. Baracaia, “Identity of nude Freud model revealed,” Evening Standard, 14 April 2005, p. 10 (illustrated).
J. Malvern, “Baronet’s daughter is Freud’s shy nude,” The Times, 14 April 2005, digital.
J. Bakewell, “Just 70,” The Guardian, 15 April 2005, digital (titled The Painter is Surprised by Naked Admirer).
P. Bracchi, “Freud’s Nude Muse,” Daily Mail, 15 April 2005, digital (detail illustrated).
R. Cork, “Lucian Freud: The eyes of the world,” The Independent, 16 April 2005, p. 38.
R. Pelling, “A woman of easel virtue,” Independent on Sunday, 17 April 2005, p. 24 (illustrated).
M. Cunningham, “Letters: Modelling matters,” Independent on Sunday, 24 April 2005, p. 28 (detail illustrated).
G. Greig, “Brush Off,” Tatler, vol. 300, no. 5, May 2005, p. 90.
D. Alberge, “Big Sue, the tattooed muse, cashes in on Freud portrait,” The Times, 19 May 2005, digital.
J. Cornwell, “Face to face with Freud,” Sunday Times, 22 May 2005, pp. 22-23 (illustrated).
R. Cork, “The master and his muse,” Times Magazine, 28 May 2005, pp. 45-47.
M. Gayford, “Inner Sanctum,” Telegraph Magazine, 28 May 2005, p. 48.
H. Mallalieu, "Painting a Priceless Picture,” Country Life, vol. 199, no. 27, 7 July 2005, p. 103.
M. Gayford, "It’s Me Looking at Him Looking at Me,” Apollo, vol. 162, no. 522, August 2005, p. 33, fig. 7 (illustrated; dated 2005).
C. Craft, “Freud; Biennale; Pollock, Venice," Burlington Magazine, vol. 147, no. 1230, September 2005, p. 636 (titled The painter is surprised by a naked admirer).
B. Bernard and D. Dawson, Freud at Work, London, 2006, pp. 13, 201-205, 207-209 and 211-215 (illustrated; dated 2005).
S. Smee, “Quite often I Wanted to Hit people,” Sunday Telegraph: Seven, 24 September 2006, p. 16.
R. Smith, “Seduced by the Figurative and the Power of Painting,” New York Times, 8 December 2006, p. E36 (illustrated).
Lucian Freud, exh. cat., Dublin, Irish Museum of Modern Art, 2007, pp. 52 and 79 (illustrated in progress).
W. Feaver, Lucian Freud, New York, 2007, p. 33, pl. 351 (illustrated).
S. Smee, Lucian Freud, Cologne, 2007, p. 86 (dated 2006).
M. Collings, “Aesthetic and Political,” Modern Painters, March 2007, p. 29 (illustrated).
M. Moroney, “Lucian Freud: Prophet of Discomfort,” Irish Arts Review, vol. 24, no. 2, Summer 2007, p. 81 (dated 2005).
G. Greig, “Freud on the Couch,” ES Magazine, 26 February 2010, p. 28 (illustrated; titled The Painter is Surprised by a Naked Admirer).
J. Jones, ”Among Giants,” The Guardian, 17 March 2010, p. 12 (illustrated in situ; dated 2004).
J. Wullschläger, “Freudian reinterpretation,” Financial Times, 27 March 2010, p. 12.
B. Sewell, “Ooh la la, Freud!,” Evening Standard, 20 May 2010, p. 37 (illustrated).
C. Lampert, “Lucian Freud obituary,” The Guardian, 21 July 2011, digital.
Lucian Freud Portraits, exh. cat., London, National Portrait Gallery, 2012, p. 202, fig. 40 (illustrated in progress).
E. Freud, “Tales from my father’s studio,” Sunday Telegraph, 29 January 2012, p. 23.
D. Kamp, “Freud, Interrupted,” Vanity Fair, February 2012, pp. 116, 145 and 148-149 (illustrated in situ; titled Naked Portrait).
Lucian Freud, exh. cat., Kunsthistorisches Museum, Vienna, 2013, p. 46.
G. Greig, Breakfast with Lucian: A Portrait of the Artist, London, 2013, pp. 169-171(illustrated and illustrated in situ; dated 2005).
J. Barnes, “Heart-Squasher,” London Review of Books, vol. 35, no. 23, 5 December 2013, p. 6.
D. Dawson, A Painter's Progress: A Portrait of Lucian Freud, New York, 2014, pp. 60 and 64-65 (illustrated; dated 2005).
J. Barnes, Keeping an Eye Open: Essays on Art, London, 2015, pp. 248, 250-251 and 278 (illustrated).
V. Button, British Artists: Lucian Freud, London, 2015, pp. 59 and 61, fig. 39 (illustrated).
J. Finkel, “Art: Eyeing an Ever-bigger Picture,” New York Times, 16 August 2015, p. 15 (illustrated).
D. David and M. Holborn, eds., Lucian Freud, vol. 2, London, 2018, pp. 220 and 275 (illustrated).
M. Gayford, Lucian Freud, London, 2018, p. 275 (illustrated).
Lucian Freud: The Self-portraits, exh. cat., London, Royal Academy of Arts, 2019, pp. 23, 38, 132-133 and 141, no. 68, fig. 49 (illustrated).
D. Dawson and M. Holborn, eds., Lucian Freud: A Life, London, 2019, pp. 228-229 (illustrated).
Z. Smith, “The Muse at Her Easel,” New York Review, 21 November 2019, pp. 64-65 (illustrated).
F. Wilson, “A libertine life: Lucian Freud's biography and 'the first funny art book',” Times Literary Supplement, no. 6134, 23 October 2020, p. 4 (detail illustrated; titled The Painter is Surprised by a Naked Admirer).
W. Feaver, The Lives of Lucian Freud: Fame, 1968-2011, New York, 2021, pp. 452-453, 456, 461, 466 and 487 (illustrated).
F. Gualdoni, ed., Freud: Arte Contemporanea – I Protagonisti, Milan, 2022, pp. 80-81 (illustrated).
C. Lampert and T. Treves, Lucian Freud: Catalogue Raisonné of the Oil Paintings, Volume 4, London, 2025, pp. 280-282, no. 483 (illustrated).
W. Feaver, “New work of an old master,” Evening Standard, 12 April 2005, p. 47 (illustrated; titled The Painter Is Surprised by a Naked Admirer).
V. Low, “Mystery of nude in Freud’s new painting,” Evening Standard, 12 April 2005, p. 3 (detail illustrated).
C. Higgins, “Painting of an Image of a painting being painted,” The Guardian, 13 April 2005, digital (illustrated; titled The Painter Is Surprised by a Naked Admirer).
R. C. Johnston, “Leaving the impression of an apple cast out of paradise,” The Times, 13 April 2005, p. E13.
L. Jury, “Freud’s self-portrait sparks search for Identity of nude,” The Independent, 13 April 2005, p. 7 (detail illustrated).
J. Malvern, “The Freudian muse without a slip,” The Times, 13 April 2005, digital.
“Self-portrait of Lucian Freud shown,” Los Angeles Times, 14 April 2005, p. 13.
A. Baracaia, “Identity of nude Freud model revealed,” Evening Standard, 14 April 2005, p. 10 (illustrated).
J. Malvern, “Baronet’s daughter is Freud’s shy nude,” The Times, 14 April 2005, digital.
J. Bakewell, “Just 70,” The Guardian, 15 April 2005, digital (titled The Painter is Surprised by Naked Admirer).
P. Bracchi, “Freud’s Nude Muse,” Daily Mail, 15 April 2005, digital (detail illustrated).
R. Cork, “Lucian Freud: The eyes of the world,” The Independent, 16 April 2005, p. 38.
R. Pelling, “A woman of easel virtue,” Independent on Sunday, 17 April 2005, p. 24 (illustrated).
M. Cunningham, “Letters: Modelling matters,” Independent on Sunday, 24 April 2005, p. 28 (detail illustrated).
G. Greig, “Brush Off,” Tatler, vol. 300, no. 5, May 2005, p. 90.
D. Alberge, “Big Sue, the tattooed muse, cashes in on Freud portrait,” The Times, 19 May 2005, digital.
J. Cornwell, “Face to face with Freud,” Sunday Times, 22 May 2005, pp. 22-23 (illustrated).
R. Cork, “The master and his muse,” Times Magazine, 28 May 2005, pp. 45-47.
M. Gayford, “Inner Sanctum,” Telegraph Magazine, 28 May 2005, p. 48.
H. Mallalieu, "Painting a Priceless Picture,” Country Life, vol. 199, no. 27, 7 July 2005, p. 103.
M. Gayford, "It’s Me Looking at Him Looking at Me,” Apollo, vol. 162, no. 522, August 2005, p. 33, fig. 7 (illustrated; dated 2005).
C. Craft, “Freud; Biennale; Pollock, Venice," Burlington Magazine, vol. 147, no. 1230, September 2005, p. 636 (titled The painter is surprised by a naked admirer).
B. Bernard and D. Dawson, Freud at Work, London, 2006, pp. 13, 201-205, 207-209 and 211-215 (illustrated; dated 2005).
S. Smee, “Quite often I Wanted to Hit people,” Sunday Telegraph: Seven, 24 September 2006, p. 16.
R. Smith, “Seduced by the Figurative and the Power of Painting,” New York Times, 8 December 2006, p. E36 (illustrated).
Lucian Freud, exh. cat., Dublin, Irish Museum of Modern Art, 2007, pp. 52 and 79 (illustrated in progress).
W. Feaver, Lucian Freud, New York, 2007, p. 33, pl. 351 (illustrated).
S. Smee, Lucian Freud, Cologne, 2007, p. 86 (dated 2006).
M. Collings, “Aesthetic and Political,” Modern Painters, March 2007, p. 29 (illustrated).
M. Moroney, “Lucian Freud: Prophet of Discomfort,” Irish Arts Review, vol. 24, no. 2, Summer 2007, p. 81 (dated 2005).
G. Greig, “Freud on the Couch,” ES Magazine, 26 February 2010, p. 28 (illustrated; titled The Painter is Surprised by a Naked Admirer).
J. Jones, ”Among Giants,” The Guardian, 17 March 2010, p. 12 (illustrated in situ; dated 2004).
J. Wullschläger, “Freudian reinterpretation,” Financial Times, 27 March 2010, p. 12.
B. Sewell, “Ooh la la, Freud!,” Evening Standard, 20 May 2010, p. 37 (illustrated).
C. Lampert, “Lucian Freud obituary,” The Guardian, 21 July 2011, digital.
Lucian Freud Portraits, exh. cat., London, National Portrait Gallery, 2012, p. 202, fig. 40 (illustrated in progress).
E. Freud, “Tales from my father’s studio,” Sunday Telegraph, 29 January 2012, p. 23.
D. Kamp, “Freud, Interrupted,” Vanity Fair, February 2012, pp. 116, 145 and 148-149 (illustrated in situ; titled Naked Portrait).
Lucian Freud, exh. cat., Kunsthistorisches Museum, Vienna, 2013, p. 46.
G. Greig, Breakfast with Lucian: A Portrait of the Artist, London, 2013, pp. 169-171(illustrated and illustrated in situ; dated 2005).
J. Barnes, “Heart-Squasher,” London Review of Books, vol. 35, no. 23, 5 December 2013, p. 6.
D. Dawson, A Painter's Progress: A Portrait of Lucian Freud, New York, 2014, pp. 60 and 64-65 (illustrated; dated 2005).
J. Barnes, Keeping an Eye Open: Essays on Art, London, 2015, pp. 248, 250-251 and 278 (illustrated).
V. Button, British Artists: Lucian Freud, London, 2015, pp. 59 and 61, fig. 39 (illustrated).
J. Finkel, “Art: Eyeing an Ever-bigger Picture,” New York Times, 16 August 2015, p. 15 (illustrated).
D. David and M. Holborn, eds., Lucian Freud, vol. 2, London, 2018, pp. 220 and 275 (illustrated).
M. Gayford, Lucian Freud, London, 2018, p. 275 (illustrated).
Lucian Freud: The Self-portraits, exh. cat., London, Royal Academy of Arts, 2019, pp. 23, 38, 132-133 and 141, no. 68, fig. 49 (illustrated).
D. Dawson and M. Holborn, eds., Lucian Freud: A Life, London, 2019, pp. 228-229 (illustrated).
Z. Smith, “The Muse at Her Easel,” New York Review, 21 November 2019, pp. 64-65 (illustrated).
F. Wilson, “A libertine life: Lucian Freud's biography and 'the first funny art book',” Times Literary Supplement, no. 6134, 23 October 2020, p. 4 (detail illustrated; titled The Painter is Surprised by a Naked Admirer).
W. Feaver, The Lives of Lucian Freud: Fame, 1968-2011, New York, 2021, pp. 452-453, 456, 461, 466 and 487 (illustrated).
F. Gualdoni, ed., Freud: Arte Contemporanea – I Protagonisti, Milan, 2022, pp. 80-81 (illustrated).
C. Lampert and T. Treves, Lucian Freud: Catalogue Raisonné of the Oil Paintings, Volume 4, London, 2025, pp. 280-282, no. 483 (illustrated).
展览
London, National Portrait Gallery, The Painter Surprised by a Naked Admirer, April-May 2005.
Venice, Museo Correr, Lucian Freud, June-October 2005, pp. 32-33, 192-193 and 199, no. 90 (illustrated).
New York, Acquavella Galleries, Lucian Freud: Recent Works, November-December 2006, n.p., no. 4 (illustrated).
Madrid, Museo Nacional Thyssen-Bornemisza and Madrid, Fundación Caja, The Mirror and the Mask: Portraiture in the Age of Picasso, February-May 2007, pp. 42, 278, 288-289 and 321, no. 146 (illustrated; titled The Painter is Surprised by a Naked Admirer).
Paris, Musée national d'art moderne, Centre Georges Pompidou, Lucian Freud: L’Atelier, March-July 2010, pp. 1, 10-11, 14, 32, 43, 53, 65, 111, 157, 166 and 227, fig. 10 (illustrated).
Venice, Museo Correr, Lucian Freud, June-October 2005, pp. 32-33, 192-193 and 199, no. 90 (illustrated).
New York, Acquavella Galleries, Lucian Freud: Recent Works, November-December 2006, n.p., no. 4 (illustrated).
Madrid, Museo Nacional Thyssen-Bornemisza and Madrid, Fundación Caja, The Mirror and the Mask: Portraiture in the Age of Picasso, February-May 2007, pp. 42, 278, 288-289 and 321, no. 146 (illustrated; titled The Painter is Surprised by a Naked Admirer).
Paris, Musée national d'art moderne, Centre Georges Pompidou, Lucian Freud: L’Atelier, March-July 2010, pp. 1, 10-11, 14, 32, 43, 53, 65, 111, 157, 166 and 227, fig. 10 (illustrated).
荣誉呈献
Imogen Kerr
Vice President, Senior Specialist, Co-Head of 20th Century Evening Sale