FREDERIC REMINGTON (1861-1909)
FREDERIC REMINGTON (1861-1909)
FREDERIC REMINGTON (1861-1909)
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FREDERIC REMINGTON (1861-1909)
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FREDERIC REMINGTON (1861-1909)

The Broncho Buster (Large Version)

细节
FREDERIC REMINGTON (1861-1909)
The Broncho Buster (Large Version)
inscribed 'Copyr by./Frederic Remington' and stamped 'No. 7' (on the base)—inscribed with foundry mark 'Roman Bronze Works N-Y-' (along the base)—inscribed 'No. 7' (beneath the base)
bronze with greenish brown patina
31 ¾ in. (80.6 cm.) high
Modeled in 1909; cast by 1915.
来源
Eva Remington, Ogdensburg, New York, wife of the artist.
Edwin McClellan, Cambridge, New York, acquired from the above.
Robert McClellan, Cambridge, New York, by descent from the above.
Private collection, by descent from the above.
Cottone Auctions, Geneseo, New York, 27 September 2008, lot 150, sold by the above.
J.N. Bartfield Galleries, Inc., New York, acquired from the above.
Acquired by the present owner from the above, 2010.
出版
H. McCracken, The Frederic Remington Book: A Pictorial History of the West, Garden City, New York, 1966, p. 273, pl. 385, another example illustrated.
R. McLanathan, The American Tradition in the Arts, New York, 1968, p. 436, another example illustrated.
P.H. Hassrick, Frederic Remington: Paintings, Drawings, and Sculpture in the Amon Carter Museum and the Sid W. Richardson Foundation Collections, New York, 1975, pp. 154-55, no. 72, another example illustrated.
M.E. Shapiro, Cast and Recast: The Sculpture of Frederic Remington, exhibition catalogue, Washington, D.C., 1981, p. 58, another example illustrated.
M.D. Greenbaum, Icons of the West: Frederic Remington's Sculpture, Ogdensburg, New York, 1996, pp. 152-55, 184, another example illustrated.

荣誉呈献

Tylee Abbott
Tylee Abbott Senior Vice President, Head of American Art

拍品专文

As the first sculpture produced by an artist that was at the time celebrated primarily for his Western illustrations, the debut of Remington’s original 24-inch model of The Broncho Buster marked a pivotal moment in his career, receiving resounding popular approval and astonishing commercial success. When Remington decided to enlarge the model in 1909, he wrote to Riccardo Bertelli of Roman Bronze Works, “You ought to see the 1½ Broncho Buster… Get ready to retire the small one.” (as quoted in M.D. Greenbaum, Icons of the West: Frederic Remington's Sculpture, Ogdensburg, New York, 1996, p. 152)

Remington completed the plaster model just days before he tragically died of appendicitis. The present work is the 7th cast out of the edition of 19 produced by Roman Bronze Works at the authorization of the artist’s wife, Eva. Standing about 8 inches taller than the original version, these larger casts of The Broncho Buster represent one of the last great achievements by the artist whose advancements in bronze endure as technical triumphs as much as symbols of the great American West. Large versions of The Broncho Buster are rare with many of the casts housed in institutional collections, including the Metropolitan Museum of Art, New York; The Art Institute of Chicago, Illinois; Amon Carter Museum of American Art, Forth Worth, Texas; Gilcrease Museum, Tulsa, Oklahoma; Stark Museum of Art, Orange, Texas; and the Buffalo Bill Historical Center, Cody, Wyoming.

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