GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
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GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Captain John Stables (1743⁄4-1795), three-quarter length, in East India Company uniform holding a talwar sword

细节
GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)
Portrait of Captain John Stables (1743⁄4-1795), three-quarter length, in East India Company uniform holding a talwar sword
oil on canvas
50 x 40 in. (127 x 101.5 cm.)
来源
Henry Rew, from whom acquired in March 1921 by the following,
with Agnews, London, in half shares with Duveen, London (according to consular invoices dated 21 May 1921, valued at £5,000).
with M. Knoedler and Co., Inc., New York.
Edward Townsend Stotesbury (1849-1938), Whitemarsh Hall, Philadelphia, his deceased sale; Parke-Bernet Galleries, New York, 18 November 1944, lot 5.
Felix Kramarsky (1891-1959), New Rochelle, New York; his sale; Parke-Bernet Galleries, New York, 7-10 January 1959, lot 637.
Mrs. A. Hamilton Rice; [Property from the Estate of the Late Mrs. A. Hamilton Rice, Sold by the Order of the Executors], Sotheby’s, New York, 22 October 1970, lot 100,
Acquired by Russell Barnett Aitken (1910-2002) and Annie Laurie Aitken, née Warmack (1900-1984) from the above.
出版
H. Ward and W. Roberts, Romney: a biographical and critical essay with a catalogue raisonné of his works, London and New York, 1904, I, p. 83 and 85; II, p. 148.
H. Marceau, ‘The Stotesbury Collection’, The Pennsylvania Museum Bulletin, XXVIII, no. 151, December 1932, p. 21.
H. Comstock, ‘The Connoisseur in America: Stotesbury Collection Exhibited’, Connoisseur, CXXXVIII, 1941, p. 79.
J. Maher, The Twilight of Splendour: Chronicles of the Age of American Palaces, Boston, 1975, p. 12, pl. I-16.
M. Kathrens, American Splendor: The Residential Architecture of Horace Trumbauer, New York, 2002, illustrated p. 206.
N. Tscherny, ‘'Persons and Property', Romney’s Society Portraiture’, Those Delightful Regions of Imagination: Essays on George Romney, Alex Kidson, ed., New Haven and London, 2002, p. 44.
M. Secrest, Duveen: A Life in Art, New York, 2004, p. 486.
A. Kidson, George Romney: The Complete Catalogue of His Paintings, II, New Haven and London, 2015, p. 544, no. 1221.
展览
Philadelphia, Philadelphia Museum of Art, Stotesbury Collection, 1932, unnumbered.
New York, James St. L. O’Toole Galleries, Exhibition of paintings and works of art from the collection of the late Edward T. Stotesbury, 23 April-10 May 1941.
San Francisco, California Palace of the Legion of Honor, Masterpieces of English Portraiture, 1941, no. 15.
Philadelphia, Philadelphia Museum of Art, on loan, 1943-1944.

荣誉呈献

Elizabeth Seigel
Elizabeth Seigel Vice President, Specialist, Head of Private and Iconic Collections

拍品专文

George Romney recorded a visit with John Stables in his appointment book on 19 February 1777, likely to arrange the commission of this portrait, along with that of Stables’s wife and eldest daughters (see lot 64). This portrait was completed over the course of seven sittings between 27 February and 31 December 1777, an unusually extended timeline for Romney. The delay was likely due to Stables’ departure from England shortly after the initial sitting; he did not return until 17 September. Here Stables is presented three-quarter-length, in his East India Company uniform and holding an Indian talwar sword under his arm. The pair of portraits must have been left behind in England when the Stables family returned to India soon after their completion, as evidenced by the 1781 engraving of the portrait of Mrs. Stables and her daughters by John Smith in 1781.

John Stables was a Director of the East India Company and became a member of the Supreme Council of Bengal, also known as the Council of Four, in Calcutta between 1782 and 1787. The council exercised governmental and political control of the British colonies in India between 1774-1833. His rapid rise through the ranks of the army seems to have been due to his commendable military record, though for some, like Edmund Burke, his promotion from ‘an inferior military to the highest civil capacity’ was grounds for suspicion (Kidson, op. cit., p. 544).

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