拍品 970
970
RICHARD OELZE (1900-1980)
RICHARD OELZE (1900-1980)
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RICHARD OELZE (1900-1980)

Studie für 'Erwartung'

细节
RICHARD OELZE (1900-1980)
Studie für 'Erwartung'
signed and dated Oelze 35 (lower right)
pencil on paper
37,6 x 45,6 cm. (14 ¾ x 17 7⁄8 in.)
Drawn in 1935
来源
David Cleghorn Thomson (1900-1980), Edinburgh (according to pencil inscription verso).
E.L.T. Mesens (1903-1971), London; his estate sale, Sotheby's, London, 26 April 1972, lot 215.
Acquired at the above sale; then by descent to the present owners.
出版
The Connoisseur, London, April 1972, vol. 179, no. 722, p. 96 (ill.; titled 'L'Attente').
H. Kinkel, in: Weltkunst, Munich, June 1980, p. 1752.
T. Hilton, 'Legacy of Terror', in: The Guardian, London, 16 November 1988, p. 46.
'The Art of German Drawing VI: Willi Baumeister, Ernst Wilhelm Nay, Werner Heldt and Richard Oelze', in: Arts Review, London, 2 December 1988, p. 865 (ill.).
R. Damsch-Wiehager, Richard Oelze: 'Erwartung', Frankfurt, 1993, no. 25, pp. 36-37 (ill.; titled 'Erwartung').
展览
Knokke-le-Zoute, Grande Salle des Expositions de 'La Réserve', 75 Œuvres du Demi-Siècle, 1951, no. 77, p. 63 (titled 'L'Expectative' and with incorrect medium).
Hanover, Kestner-Gesellschaft, Richard Oelze, September - October 1964, no. 214, p. 86.
Hamburg, Hamburger Kunsthalle, Lichtwark-Preis: Richard Oelze, November 1973 - January 1974.
New York, Spencer A. Samuels & Company, Richard Oelze, April - May 1974, no. 18 (titled 'Expectation').
Berlin, Akademie der Künste, Richard Oelze: Gemälde und Zeichnungen, January - March 1987, no. Z 32, pp. 162 (ill.), 241 & 240 (ill.); then Bielefeld, Kunsthalle Bielefeld, March - April 1987; Hamburg, Kunstverein in Hamburg, May - June 1987; and Munich, Museum Villa Stuck, December 1987 - February 1988.
Wilhelmshaven, Kunsthalle Wilhelmshaven, Richard Oelze - Die Landschaft des Zeichners, August - September 1994, p. 46 (ill.); then Worpswede, Barkenhoff Stiftung, September - December 1994; and Hamburg, Galerie Brockstedt, 1995.
London, Goethe-Institut, The Art of German Drawing VI: Willi Baumeister, Ernst Wilhelm Nay, Werner Heldt, Richard Oelze, November - December 1988, no. 15, pp. 35 (ill.) & 80.
Paris, Musée d'art Moderne de la Ville, Années 30 en Europe - Le temps menaçant, 1929 -1939, February - May 1997 (ill.; dated '1933').
Hamburg, Hamburger Kunsthalle, Verhext - Phantastische Graphik aus der Sammlung Hegewisch, November 1997 - March 1998 (no cat.).
Esslingen, Galerie der Stadt Esslingen, Georg Winter - Alan Charlton - Richard Oelze, December 1998 - January 1999.
Hamburg, Hamburger Kunsthalle, Aus der Werkstatt des Künstlers – Druckgraphik und vorbereitende Zeichnungen der Sammlung Hegewisch, March 1999 - October 2000, pp. 83 (ill.) & 109-110 (titled 'Erwartung').
Bremen, Kunsthalle Bremen, Die Söhne des Junggesellen - Richard Oelze - Einzelgänger des Surrealismus, November 2000 - January 2001, no. 21, pp. 108 (ill.) & 186; then Leipzig, Museum der Bildenden Künste, February - April 2001.
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Zack Boutwood
Zack Boutwood Cataloguer
+44 (0) 20 7389 2025

拍品专文

This work is a direct study for one of Richard Oelze’s most seminal paintings, Erwartung (1935-1936), housed in the collection of the Museum of Modern Art, New York. In a stark Surrealist idiom, both Erwartung and the present Studie für 'Erwartung' center upon the charged pause of anticipation; figures can be seen from behind facing a barren landscape whose void intensifies the work’s sense of unease and suspended meaning, characteristic of the Surrealist movement.

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