拍品专文
For a note on this composition, please refer to lot 43.
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The plaster-maker’s horse (Le cheval du plâtrier)
细节
JEAN-LOUIS-ANDRÉ-THÉODORE GERICAULT (1791-1824)
The plaster-maker’s horse (Le cheval du plâtrier)
signed and dated 'Gericault 1821.' (lower left)
pen and brown ink, with grey and brown wash, on buff paper
10 x 12 3⁄8 in. (25.4 x 31.4 cm.)
The plaster-maker’s horse (Le cheval du plâtrier)
signed and dated 'Gericault 1821.' (lower left)
pen and brown ink, with grey and brown wash, on buff paper
10 x 12 3⁄8 in. (25.4 x 31.4 cm.)
来源
Possibly the artist's studio at the time of his death (according to an inventory of his estate dated 23 June 1824 (‘Un dessin représentant un cheval attelé à une charrette de plâtre et colorié prisé soixante francs’).
Possibly William Beckford (1760-1844), London and Bath, then by descent to his daughter,
Susanna Euphemia Beckford Hamilton, Duchess of Hamilton (1786-1859), Brodick Castle, Isle of Arran, then by descent to,
Lady Jean Graham Sibyl Violet Fforde (1920-2017), Edinburgh.
Ewan Phillips Gallery, London, by 1967.
Paul Brame (1898-1971), Paris (according to Eitner, 1983).
Anonymous sale; Christie’s, London, 6 July 2021, lot 58.
Acquired at the above sale.
Possibly William Beckford (1760-1844), London and Bath, then by descent to his daughter,
Susanna Euphemia Beckford Hamilton, Duchess of Hamilton (1786-1859), Brodick Castle, Isle of Arran, then by descent to,
Lady Jean Graham Sibyl Violet Fforde (1920-2017), Edinburgh.
Ewan Phillips Gallery, London, by 1967.
Paul Brame (1898-1971), Paris (according to Eitner, 1983).
Anonymous sale; Christie’s, London, 6 July 2021, lot 58.
Acquired at the above sale.
出版
‘On Exhibition’, Studio International, June 1967, p. 323, fig. 11.
P. Grunchec, ‘L’inventaire posthume de Theodore Gericault (1791-1824)’, Bulletin de la Société de l’Histoire de l’Art Français, 1976 (1978), p. 410, under no. 87 and p. 420, note 137.
J. Thuillier, P. Grunchec, Tout l’œuvre peint de Gericault, Paris, 1978, p. 124, under no. 244.
F. Bergot, Gericault: Tout l’œuvre gravé et pièces en rapport, exhibition catalogue, Rouen, 1981-1982, p. 92, under no. 80.
L. E. A. Eitner, Gericault, His Life and Work, London, 1983, p. 357, note 76 (as a copy).
G. Bazin, Théodore Géricault: Étude critique, documents et catalogue raisonné. Vol. VII - Regard social et politique: Le séjour anglais et les heures de souffrance, Paris, 1997, pp. 37-38 and p. 173, no. 2414.
P. Grunchec, ‘L’inventaire posthume de Theodore Gericault (1791-1824)’, Bulletin de la Société de l’Histoire de l’Art Français, 1976 (1978), p. 410, under no. 87 and p. 420, note 137.
J. Thuillier, P. Grunchec, Tout l’œuvre peint de Gericault, Paris, 1978, p. 124, under no. 244.
F. Bergot, Gericault: Tout l’œuvre gravé et pièces en rapport, exhibition catalogue, Rouen, 1981-1982, p. 92, under no. 80.
L. E. A. Eitner, Gericault, His Life and Work, London, 1983, p. 357, note 76 (as a copy).
G. Bazin, Théodore Géricault: Étude critique, documents et catalogue raisonné. Vol. VII - Regard social et politique: Le séjour anglais et les heures de souffrance, Paris, 1997, pp. 37-38 and p. 173, no. 2414.
展览
Possibly Paris, Galerie Lebrun, Exposition des ouvrages de peinture et sculpture exposés au profit de la Caisse ouverte pour l’Extinction de la Mendacité, 1829, no. 100 (as ‘Charette de plâtrier. (Aquarelle)’).
London, Ewan Phillips Gallery, Gericault to Ernst, 1967, no. 5.
London, Ewan Phillips Gallery, Gericault to Ernst, 1967, no. 5.
刻印
In reverse in a lithograph by Joseph Volmar (Delteil 86), for the series Études de chevaux, published in 1823.
荣誉呈献
Leo Webster
Specialist