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PRINTS FROM THE PERSONAL COLLECTION OF THE LATE CHRISTOPHER MENDEZ
ANONYMOUS ITALIAN (17TH CENTURY) AFTER HENDRICK GOLTZIUS (1558-1617)
Quis Evadet (Allegory of Transience)
细节
ANONYMOUS ITALIAN (17TH CENTURY) AFTER HENDRICK GOLTZIUS (1558-1617)
Quis Evadet (Allegory of Transience)
engraving
circa 1600
on laid paper, watermark Double-headed Eagle
a fine impression of this very rare, large print
first state (of two)
trimmed to or just inside the platemark but outside the borderline on three sides, a small margin below
laid down to an old album sheet;
together with:
Simon de Passe (1595-1647) after Crispijn de Passe II (1564-1637)
Memento Mori
engraving, circa 1612-15, on laid paper, watermark Strasbourg Lily with pendant Letters WR, a good impression, with margins, trimmed inside the platemark in places below, some minor defects;
Benigno Bossi (1727-1792)
A Skull resting on a Ledge
etching, 1760, on stiff laid paper, without watermark, a fine impression of the first state (of three), with wide margins, some foxing;
Anonymous Copy after Jacques Chéreau (1688-1776) after Noël Nicolas Coypel (1690-1734)
A Funeral Invitation
etching with letterpress text, circa 1737, on laid paper, watermark fragment Pro Patria, with margins, various losses, folds and tears, a hand-written London address verso
Sheet 460 x 326 mm. (and smaller)(4)
Quis Evadet (Allegory of Transience)
engraving
circa 1600
on laid paper, watermark Double-headed Eagle
a fine impression of this very rare, large print
first state (of two)
trimmed to or just inside the platemark but outside the borderline on three sides, a small margin below
laid down to an old album sheet;
together with:
Simon de Passe (1595-1647) after Crispijn de Passe II (1564-1637)
Memento Mori
engraving, circa 1612-15, on laid paper, watermark Strasbourg Lily with pendant Letters WR, a good impression, with margins, trimmed inside the platemark in places below, some minor defects;
Benigno Bossi (1727-1792)
A Skull resting on a Ledge
etching, 1760, on stiff laid paper, without watermark, a fine impression of the first state (of three), with wide margins, some foxing;
Anonymous Copy after Jacques Chéreau (1688-1776) after Noël Nicolas Coypel (1690-1734)
A Funeral Invitation
etching with letterpress text, circa 1737, on laid paper, watermark fragment Pro Patria, with margins, various losses, folds and tears, a hand-written London address verso
Sheet 460 x 326 mm. (and smaller)(4)
来源
Christopher Mendez (1943-2025), London; then by descent to present owners.
出版
Hollstein 488; New Hollstein 529 (copy e) (after Goltzius);
Franken 1241; Hollstein 4 (de Passe);
Le Blanc 121 (Bossi)
Franken 1241; Hollstein 4 (de Passe);
Le Blanc 121 (Bossi)
荣誉呈献
Stefano Franceschi
Specialist