HIERONYMOUS COCK (CIRCA 1517 / 18-1570) POSSIBLY AFTER MATTHIJS COCK (CIRCA 1510 / 5-1548)
HIERONYMOUS COCK (CIRCA 1517 / 18-1570) POSSIBLY AFTER MATTHIJS COCK (CIRCA 1510 / 5-1548)
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PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
HIERONYMOUS COCK (CIRCA 1517 / 18-1570) POSSIBLY AFTER MATTHIJS COCK (CIRCA 1510 / 5-1548)

Two Plates, from: Landscapes with Biblical and Mythological scenes

细节
HIERONYMOUS COCK (CIRCA 1517 / 18-1570) POSSIBLY AFTER MATTHIJS COCK (CIRCA 1510 / 5-1548)
Two Plates, from: Landscapes with Biblical and Mythological scenes
two etchings, from a series of twelve, 1558
on laid paper, watermark small Fleur-de-Lys (Briquet 6998)
including:
Judah and Tamar, a very fine, dark impression, printing with much plate tone, intense contrasts and inky relief;
Leander swimming through the Hellespont, a very, fine luminous impression, printing with plate tone;
both sheets with margins, a stain in the left margin, a few tiny holes, generally in very good condition
Plate 225 x 323 mm., Sheet 254 x 340 mm. (Hollstein 9)
Plate 226 x 304 mm., Sheet 254 x 333 mm. (Hollstein 16)(2)
来源
Unidentified, numbered '31' in pen and brown ink verso (not in Lugt). (both)
出版
Hollstein 9 & 16
J. van Grieken, G. Luijten, J. van der Stock, Hieronymous Cock - The Renaissance in Print, New Haven & London, 2013, no. 94 (another impression illustrated).

荣誉呈献

Stefano Franceschi
Stefano Franceschi Specialist

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拍品专文

These two landscapes are part of a series of twelve etchings made by Hieronymous Cock after drawings or possibly paintings by his elder brother Matthijs, according to Karel van Mander's Schilder-Boeck. Matthijs was a popular landscape painter active in Antwerp, who had died ten years before the publication of the series. Hieronymous Cock is mostly known as one of the most successful and influential print publishers of the 16th century. After a brief sojourn in Rome in 1546-47, he returned to his native Antwerp, married Volcxken Diericx, and together with her opened his print workshop and publishing house Aux Quatre Vents (In de Vier Winden). Some of the most popular series of prints after Bruegel and others were published there (see lots 116-120). After his death, his widow continued the business on her own and even added her name to some of the plates in their stock.
Occasionally, Hieronymous Cock ventured himself into etching and, amongst others, produced this remarkable series of Landscapes with Biblical and Mythological Scenes, which inspired contemporary artists across Europe, including Angelo Falconetto and Gherardo Cibo.

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