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The Collection of Antonio Homem Sonnabend
ROY LICHTENSTEIN (1923-1997)
Small Wall Explosion
细节
ROY LICHTENSTEIN (1923-1997)
Small Wall Explosion
signed, dated and numbered 'rf Lichtenstein '65 3⁄6' (on the reverse)
porcelain enamel on steel and perforated steel, metal rod and plate
22 x 20 ½ x 7 ½ in. (55.6 x 52.1 x 18.7 cm.)
Executed in 1965; this work is number three from an edition of six
Small Wall Explosion
signed, dated and numbered 'rf Lichtenstein '65 3⁄6' (on the reverse)
porcelain enamel on steel and perforated steel, metal rod and plate
22 x 20 ½ x 7 ½ in. (55.6 x 52.1 x 18.7 cm.)
Executed in 1965; this work is number three from an edition of six
来源
Leo Castelli Gallery, New York.
Ileana Sonnabend (acquired from the above, 1965).
By descent from the above to the late owner.
Ileana Sonnabend (acquired from the above, 1965).
By descent from the above to the late owner.
出版
M. Amaya, “Architectural Digest Visits: Roy Lichtenstein” in Architectural Digest, vol. 35, no. 6, July-August 1978, n.p. (illustrated in situ in the artist’s studio).
D. Schaff, “A Conversation with Roy Lichtenstein” in Art International, vol. 23, no. 9, January-February 1980, p. 35 (illustrated).
J. Cowart, Roy Lichtenstein 1970-1980, exh. cat., Saint Louis Art Museum, New York, 1981, p. 158 (illustrated).
L. Camnitzer, “Roy Lichtenstein en el Museo Whitney de Nueva York, 1970-80” in Arte en Colombia, no. 18, June 1982, p. 59 (illustrated).
“Beyond Pop Mythology” in The Shinbijutsu Shinbun, no. 329, 21 April 1983, p. 1 (illustrated).
J. Cowart, Roy Lichtenstein 1970-1980, exh. cat., Seibu Museum of Art, Tokyo, 1983, p. 154 (illustrated).
M. Welish, “Where Art Comes First” in House and Garden, vol. 156, no. 8, August 1984, p. 118 (illustrated).
J. Tully, “Sydney and Frances Lewis—The Quest for the Best in Art” in Smithsonian, vol. 18, no. 8, November 1987, p. 93 (another example illustrated).
R. Lichtenstein and R. Enright, “Pop Goes the Tradition: An Interview with Roy Lichtenstein” in Border Crossings, vol. 13, no. 3, August 1994, p. 21 (illustrated).
J. Faton-Boyancé, ed., “Roy Lichtenstein exposition au Centre Pompidou” in L’objet d’art, special issue, no. 69, July 2013, p. 37 (illustrated).
F. Morel, ed., “Roy Lichtenstein” in Connaissance des arts, special issue, no. 589, July-August 2013, p. 44 (another example illustrated).
C. Pommereau, ed., Roy Lichtenstein au Centre Pompidou, Issy-les-Moulineaux, 2013, p. 28 (illustrated).
G. Celant, Roy Lichtenstein Sculptor, exh. cat., Fondazione Emilio e Annabianca Vedova, Milan, 2013, n.p., no. 81 (illustrated).
D. Belasco, Found, Made, Cast: Sculptures by Nancy Graves, Jasper Johns, Roy Lichtenstein, exh. cat., Castelli Gallery, New York, 2017, p. 18 (illustrated).
D. Schaff, “A Conversation with Roy Lichtenstein” in Art International, vol. 23, no. 9, January-February 1980, p. 35 (illustrated).
J. Cowart, Roy Lichtenstein 1970-1980, exh. cat., Saint Louis Art Museum, New York, 1981, p. 158 (illustrated).
L. Camnitzer, “Roy Lichtenstein en el Museo Whitney de Nueva York, 1970-80” in Arte en Colombia, no. 18, June 1982, p. 59 (illustrated).
“Beyond Pop Mythology” in The Shinbijutsu Shinbun, no. 329, 21 April 1983, p. 1 (illustrated).
J. Cowart, Roy Lichtenstein 1970-1980, exh. cat., Seibu Museum of Art, Tokyo, 1983, p. 154 (illustrated).
M. Welish, “Where Art Comes First” in House and Garden, vol. 156, no. 8, August 1984, p. 118 (illustrated).
J. Tully, “Sydney and Frances Lewis—The Quest for the Best in Art” in Smithsonian, vol. 18, no. 8, November 1987, p. 93 (another example illustrated).
R. Lichtenstein and R. Enright, “Pop Goes the Tradition: An Interview with Roy Lichtenstein” in Border Crossings, vol. 13, no. 3, August 1994, p. 21 (illustrated).
J. Faton-Boyancé, ed., “Roy Lichtenstein exposition au Centre Pompidou” in L’objet d’art, special issue, no. 69, July 2013, p. 37 (illustrated).
F. Morel, ed., “Roy Lichtenstein” in Connaissance des arts, special issue, no. 589, July-August 2013, p. 44 (another example illustrated).
C. Pommereau, ed., Roy Lichtenstein au Centre Pompidou, Issy-les-Moulineaux, 2013, p. 28 (illustrated).
G. Celant, Roy Lichtenstein Sculptor, exh. cat., Fondazione Emilio e Annabianca Vedova, Milan, 2013, n.p., no. 81 (illustrated).
D. Belasco, Found, Made, Cast: Sculptures by Nancy Graves, Jasper Johns, Roy Lichtenstein, exh. cat., Castelli Gallery, New York, 2017, p. 18 (illustrated).
展览
London, The Mayor Gallery, Roy Lichtenstein: Sculpture, November-December 1977, no. 10 (illustrated).
New York, Leo Castelli Gallery, Roy Lichtenstein: Sculpture, November-December 1977, no. 10 (another example exhibited and illustrated).
New York, Whitney Museum of American Art, Roy Lichtenstein 1970-1980, September-November 1981 (another example exhibited).
Wilmington, Delaware Art Museum, Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts, March-May 1987 (another example exhibited).
Williamsburg, College of William and Mary, Muscarelle Museum of Art, Contemporary Artists from the Virginia Museum of Fine Arts, September-November 1987 (another example exhibited).
New York, 65 Thompson Street, Roy Lichtenstein: Bronze Sculptures, 1976-1989, May-July 1989, p. 41, no. 11 (another example exhibited and illustrated).
Roanoke Museum of Fine Arts, The Common Wealth: Twentieth Century Masterpieces from Virginia Collections, December 1990-February 1991, p. 33 (another example exhibited).
Pully-Lausanne, FAE Musée d’Art Contemporain, Roy Lichtenstein, September 1992-January 1993, p. 85 (another example exhibited and illustrated).
New York, Solomon R. Guggenheim Museum; Musée des Beaux-Arts de Montréal; Munich, Haus der Kunst; Hamburg, Deichtorhallen and Brussels, Palais des Beaux-Arts, Roy Lichtenstein: A Retrospective, October 1993-September 1995, n.p., no. 259 (New York, another example exhibited and illustrated) and n.p., no. 259 (Munich, Hamburg and Brussels, another example exhibited and illustrated).
Mexico City, Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes; Museo de Arte Contemporáneo de Monterrey; Washington, D.C., Corcoran Gallery of Art; Valencia, Instituto Valenciano de Arte Moderno (IVAM); A Coruña, Fundación Pedro Barrié de la Maza and Lisbon, Centro Cultural de Belém, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 1998-August 2000, pp. 34 and 139 (Mexico City, another example exhibited and illustrated); p. 113, no. 54 (Washington, D.C., as Roy Lichtenstein: Sculpture and Drawings, another example exhibited and illustrated); pp. 34 and 139 (Valencia and A Coruña, another example exhibited and illustrated) and pp. 34 and 139 (Lisbon, as Roy Lichtenstein: Imagens Reconhecíveis, another example exhibited and illustrated).
London, Gagosian Gallery and New York, Gagosian Gallery, Roy Lichtenstein: Sculpture, June-October 2005, p. 41 (London, another example exhibited and illustrated).
Paris, Musée national d’art moderne, Centre national d’art et de culture Georges Pompidou, Roy Lichtenstein, July-November 2013, p. 34; p. 232, no. 111 (another example exhibited and illustrated).
New York, Leo Castelli Gallery, Roy Lichtenstein: Sculpture, November-December 1977, no. 10 (another example exhibited and illustrated).
New York, Whitney Museum of American Art, Roy Lichtenstein 1970-1980, September-November 1981 (another example exhibited).
Wilmington, Delaware Art Museum, Selections from the Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts, March-May 1987 (another example exhibited).
Williamsburg, College of William and Mary, Muscarelle Museum of Art, Contemporary Artists from the Virginia Museum of Fine Arts, September-November 1987 (another example exhibited).
New York, 65 Thompson Street, Roy Lichtenstein: Bronze Sculptures, 1976-1989, May-July 1989, p. 41, no. 11 (another example exhibited and illustrated).
Roanoke Museum of Fine Arts, The Common Wealth: Twentieth Century Masterpieces from Virginia Collections, December 1990-February 1991, p. 33 (another example exhibited).
Pully-Lausanne, FAE Musée d’Art Contemporain, Roy Lichtenstein, September 1992-January 1993, p. 85 (another example exhibited and illustrated).
New York, Solomon R. Guggenheim Museum; Musée des Beaux-Arts de Montréal; Munich, Haus der Kunst; Hamburg, Deichtorhallen and Brussels, Palais des Beaux-Arts, Roy Lichtenstein: A Retrospective, October 1993-September 1995, n.p., no. 259 (New York, another example exhibited and illustrated) and n.p., no. 259 (Munich, Hamburg and Brussels, another example exhibited and illustrated).
Mexico City, Museo del Palacio de Bellas Artes, Instituto Nacional de Bellas Artes; Museo de Arte Contemporáneo de Monterrey; Washington, D.C., Corcoran Gallery of Art; Valencia, Instituto Valenciano de Arte Moderno (IVAM); A Coruña, Fundación Pedro Barrié de la Maza and Lisbon, Centro Cultural de Belém, Roy Lichtenstein: Imágenes reconocibles: Escultura, pintura y gráfica, July 1998-August 2000, pp. 34 and 139 (Mexico City, another example exhibited and illustrated); p. 113, no. 54 (Washington, D.C., as Roy Lichtenstein: Sculpture and Drawings, another example exhibited and illustrated); pp. 34 and 139 (Valencia and A Coruña, another example exhibited and illustrated) and pp. 34 and 139 (Lisbon, as Roy Lichtenstein: Imagens Reconhecíveis, another example exhibited and illustrated).
London, Gagosian Gallery and New York, Gagosian Gallery, Roy Lichtenstein: Sculpture, June-October 2005, p. 41 (London, another example exhibited and illustrated).
Paris, Musée national d’art moderne, Centre national d’art et de culture Georges Pompidou, Roy Lichtenstein, July-November 2013, p. 34; p. 232, no. 111 (another example exhibited and illustrated).
荣誉呈献
Kathryn Widing
Senior Vice President, Senior Specialist, Head of 21st Century Evening Sale