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A GEORGE III MAHOGANY SERPENTINE COMMODE

ATTRIBUTED TO JOHN COBB, CIRCA 1765

FRANCIS COTES, R.A. (LONDON 1726-1770)

Portrait of William Jones of Ramsbury (d. 1766), three-quarter-length, wearing a red dress coat and white gold-embroidered waistcoat, in a landscape

GEORGE ROMNEY (DALTON-IN-FURNESS 1734-1802 KENDAL)

Portrait of Dorothy Stables (1753-1832), seated, with her two daughters, Harriet (1774-1827) and Maria (1775-1821), in a wooded landscape

GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Captain John Stables (1743⁄4-1795), three-quarter length, in East India Company uniform holding a talwar sword

GEORGE ROMNEY (DALTON-IN-FURNESS, LANCASHIRE 1734-1802 KENDAL, CUMBRIA)

Portrait of Henrietta, Lady Smith, née Dodsworth (1736-1795), three-quarter length, playing a lute

SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 769-1830 LONDON)

Portrait of Elizabeth Inchbald, née Simpson (1753-1821), half-length, unfinished

ARTHUR POND (LONDON 1701-1758)

Portrait of Lord Southwell, half-length in a red coat with gold brocade fringe ; and Portrait of Lady Southwell, half-length in a pink and white dress decorated with pearls and edged with ermine

JOHN DOWNMAN, A.R.A. (RAUBON, WALES 1750-1824 WREXHAM)

Portrait of George John Spencer (1758-1834), Viscount Althorp, later 2nd Earl Spencer, half-length, in academic robes

JOHN DOWNMAN, A.R.A. (RUABON, WALES 1750-1824 WREXHAM)

Portrait of Peter, Mary and Anne Middelton, Peter holding a bow and arrow

JOHN DOWNMAN, A.R.A. (RUABON, WALES 1750-1824 WREXHAM)

The Temple of Vesta: the Waldegrave sisters and Miss Keppel

RICHARD COSWAY, R.A. (TIVERTON 1742-1821 LONDON)

Self-Portrait of the artist with his wife Maria Cosway in 17th Century dress, seated under a tree with book and lute

HENRY WALTON (DICKLEBURGH 1746-1813 LONDON)

Portrait of Harriet Fuller, née Carter (1753-1803) with her son Edward (1782-1856) pushing a wheelbarrow, small-length, in a garden

THOMAS GAINSBOROUGH, R.A. (LONDON 1727-1788)

A family outside a cottage door

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS

ATTRIBUTED TO THOMAS CHIPPENDALE, CIRCA 1760-65

A GEORGE III GILT-LACQUERED BRASS-MOUNTED MAHOGANY WINE COOLER

ATTRIBUTED TO SAMUEL NORMAN, CIRCA 1765

A PAIR OF ORMOLU-MOUNTED MEISSEN PORCELAIN GOLD-GROUND TUREENS AND COVERS

THE PORCELAIN CIRCA 1745, PRESSNUMMER 26 TO EACH COVER, THE ORMOLU MOUNTS 18TH AND 19TH CENTURY

AN ASSEMBLED SEVRES PORCELAIN ‘FEUILLE DE CHOUX’ PATTERN DINNER SERVICE

CIRCA 1758-1786, MOST WITH INTERLACED L’S MARKS, VARIOUS DATE LETTERS, PAINTERS’, GILDERS’ AND INCISED MARKS

AN ENGLISH BLACK-AND-GILT LACQUER AND JAPANNED GILT-GESSO LOWBOY

THE CHINESE LACQUER 18TH CENTURY AND ASSOCIATED, THE OAK CARCASS EARLY 18TH CENTURY AND LATER GILT-GESSOED AND JAPANNED

A GEORGE III ORMOLU-MOUNTED CUT-GLASS EIGHT-LIGHT CHANDELIER

ATTRIBUTED TO PARKER AND PERRY, CIRCA 1785, SOME ASSOCIATED ELEMENTS

A PAIR OF GEORGE II GILTWOOD GIRANDOLES

IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1755

A PAIR OF GEORGE III SILVER TEA CADDIES

MARK OF THOMAS HEMMING, LONDON, 1766

A SET OF FOUR GEORGE III SILVER CANDLESTICKS

LONDON, 1765, TWO MARK OF WILLIAM CAFE, ONE MARK OF JAMES STAMP AND JOHN BAKER

A PAIR OF GEORGE III SILVER SOUP TUREENS AND COVERS

MARK OF JOHN ROMER, LONDON, 1771, AFTER A DESIGN BY WILLIAM CHAMBERS

A SET OF FOUR GEORGE III SILVER CANDLESTICKS

MARK OF THOMAS ELLERTON AND RICHARD SIBLEY, LONDON, 1804, AFTER A MODEL BY PIERRE GOUTHIERE

THE BROWNLOW TUREENS: A PAIR OF GEORGE III SILVER SOUP TUREENS, COVERS, LINERS AND STANDS

MARK OF RICHARD COOKE, LONDON, 1810, SUPPLIED BY VULLIAMY AND SON

A PAIR OF MEISSEN PORCELAIN MODELS OF SEATED HARES

THE PORCELAIN MID-18TH CENTURY, THE DECORATION OF LATER DATE, BLUE CROSSED SWORDS MARKS

A PAIR OF MEISSEN PORCELAIN MODELS OF GREYHOUNDS

THE PORCELAIN MID-18TH CENTURY, THE DECORATION OF LATER DATE, BLUE CROSSED SWORDS MARKS TO THE BACK OF EACH BASE, MODELED BY J.J. KÄNDLER

A MEISSEN PORCELAIN SQUIRREL AND A LOUIS XV ORMOLU BASE

THE PORCELAIN MID-18TH CENTURY, SMALL BLUE CROSSED SWORDS MARK TO THE SIDE OF THE BASE, MODELED BY J.J. KÄNDLER, THE LOOSE ORMOLU BASE OF SIMILAR DATE

A PAIR OF ORMOLU-MOUNTED MEISSEN PORCELAIN MODELS OF CATS

THE PORCELAIN CIRCA 1741, MODELED BY J.J. KÄNDLER, THE ORMOLU MOUNTS FIRST HALF 19TH CENTURY

A PAIR OF ORMOLU-MOUNTED MEISSEN PORCELAIN MODELS OF PUGS

CIRCA 1745, MODELED BY J.J. KÄNDLER, POSSIBLY ASSISTED BY P. REINICKE, THE ORMOLU BASES LATE 19TH CENTURY

A ROYAL PAIR OF MEISSEN PORCELAIN MODELS OF CROUCHING WOLVES

THE PORCELAIN CIRCA 1747-1750, TRACE OF SMALL BLUE CROSSED SWORDS TO SIDE OF ONE, PROBABLY MODELED BY P. REINICKE, BLACK AND PUCE K.H.C. MARKS FOR THE KÖNIGLICHE HOF-CONDITOREI

A PAIR OF MEISSEN PORCELAIN MODELS OF WOLVERINES OR BEARS

CIRCA 1750, BLUE CROSSED SWORDS MARKS TO THE BACK OF EACH BASE, ONE TWICE IMPRESSED 42, THE MODELS ATTRIBUTED TO J.J. KÄNDLER

A PAIR OF ORMOLU-MOUNTED PORCELAIN MODELS OF LEOPARDS

POSSIBLY 18TH CENTURY AND POSSIBLY MEISSEN, THE MODEL PERHAPS BY J.J. KÄNDLER, THE MOUNTS 20TH CENTURY

A MEISSEN PORCELAIN MODEL OF A LION

CIRCA 1741-1745, SMALL BLUE CROSSED SWORDS MARK, MODELED BY J.J. KÄNDLER

A PAIR OF MEISSEN PORCELAIN MODELS OF A LION AND LIONESS

CIRCA 1741-1745, SMALL BLUE CROSSED SWORDS MARKS, MODELED BY J.J. KÄNDLER