MORRIS, William. Love is Enough, or, The Freeing of Pharamond: A Morality. Hammersmith, 1897 [issued 1898]. Large 4o. Printed in Troy type (stage directions in Chaucer type) in black and red, woodcut initial capitals in blue and black, woodcut frontispiece by W.H. Hooper after a design by Edward Burne-Jones, facing page with full woodcut page-border, last page after colophon with another full-page woodcut by W.H. Hooper after Burne-Jones (designed in 1870 for a projected heavily illustrated edition of the book), the woodcut within a border of four pieces, numerous partial woodcut borders, 8-line and smaller initial capitals, without printer's device (light staining [remnants from bookplate] on preliminary blank). Original limp vellum, spine gilt-lettered, silk ties, uncut. LIMITED EDITION, one of 300 copies of an edition of 308. Cockerell 52 ("This was the second book printed in three colours at the Kelmscott Press"); Peterson A52.

細節

MORRIS, William. Love is Enough, or, The Freeing of Pharamond: A Morality. Hammersmith, 1897 [issued 1898]. Large 4o. Printed in Troy type (stage directions in Chaucer type) in black and red, woodcut initial capitals in blue and black, woodcut frontispiece by W.H. Hooper after a design by Edward Burne-Jones, facing page with full woodcut page-border, last page after colophon with another full-page woodcut by W.H. Hooper after Burne-Jones (designed in 1870 for a projected heavily illustrated edition of the book), the woodcut within a border of four pieces, numerous partial woodcut borders, 8-line and smaller initial capitals, without printer's device (light staining [remnants from bookplate] on preliminary blank). Original limp vellum, spine gilt-lettered, silk ties, uncut. LIMITED EDITION, one of 300 copies of an edition of 308. Cockerell 52 ("This was the second book printed in three colours at the Kelmscott Press"); Peterson A52.