拍品專文
US$258,100-387,100
.jpg?w=1)
細節
石魯 春秋集/晨風小集 設色紙本 雙面冊頁共二十三開
畫家自題簽條：春秋集，寫於長安石魯。鈐印：石、魯
1. 題識：畫岩崖之蘭，兮詠花於笑神。動毫楮於穹蒼兮，霄飛江晉作，石魯。鈐印：石魯
2. 題識：芙蓉風暖，石魯。鈐印：石魯
3. 題識：辛亥 (1971年) 寫於長安，石魯。鈐印：石魯
4. 款識：石魯。鈐印：石魯
5. 題識：菊瘦石摘技。鈐印：石魯寫詩意
6. 款識：石魯。鈐印：石魯
7. 題識：今秋火紅如錦，石魯。鈐印：石魯
8. 題識：石魯。鈐印：石魯
9. 題識：一枝紅葉清秋醉。鈐印：石魯
10. 題識：寫於長安石魯。鈐印：石魯
11. 題識：信筆為之，不落俗矣，辛亥(1971年) 秋日寫。鈐印：石、逸筆為之
12. 鈐印：石魯印
畫家自題簽條：晨風小集，石魯。
鈐印：石魯
1. 題識：搖放翻卷輪迴葉，影枝頭傍伴無人。疼人間多少血和淚，澄黃昏乘風秋色。花逢雨時爭春日，樂然一笑淚和血。辛亥 (1971年) 秋日於長安蘆屋，石魯。
鈐印：石魯
2. 鈐印：石魯
3. 題識：花間為高。石魯寫王維詩意也。鈐印：石魯
4. 題識：暖風無影花醉人。辛亥 (1971年) 暮秋寫於長安，石魯。鈐印：石魯
5. 題識：晨鮮馥手，石魯。鈐印：石魯
6. 題識：高風勁節看金波奔來卷南北千望回首四海古 道蕭色滄燦易改漫說星人瘦馬黃夕陽西下， 人醒且如夢何時樂天筆，石魯。 鈐印：石魯
9. 題識：魂者丹也，寫於長安石魯。鈐印：石魯
10. 題識：花為蘭者香，石魯寫。 鈐印：石魯
11. 題識：月色蕭蕭昏昏，無涯野情，高古如夢如醒。冷冷清清，餘酒添色，鳥以與願，石魯。鈐印：石魯、詩意也
來源：香港拍賣行及地產代理有限公司，中國書畫拍賣，1989年5月21日，編號68。
石魯曾言：‘畫者觀生活如賞畫，才能使觀者如賞生活。人不留心者，畫者當留心；人不為可觀者，畫者當觀之。然後才能以畫喚起人心。’這册花卉正是反映了畫家此觀點，花卉造形獨特，線條流暢，具有很強的感染力，是畫家富於感情，富於思想的藝術精品。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
畫家自題簽條：春秋集，寫於長安石魯。鈐印：石、魯
1. 題識：畫岩崖之蘭，兮詠花於笑神。動毫楮於穹蒼兮，霄飛江晉作，石魯。鈐印：石魯
2. 題識：芙蓉風暖，石魯。鈐印：石魯
3. 題識：辛亥 (1971年) 寫於長安，石魯。鈐印：石魯
4. 款識：石魯。鈐印：石魯
5. 題識：菊瘦石摘技。鈐印：石魯寫詩意
6. 款識：石魯。鈐印：石魯
7. 題識：今秋火紅如錦，石魯。鈐印：石魯
8. 題識：石魯。鈐印：石魯
9. 題識：一枝紅葉清秋醉。鈐印：石魯
10. 題識：寫於長安石魯。鈐印：石魯
11. 題識：信筆為之，不落俗矣，辛亥(1971年) 秋日寫。鈐印：石、逸筆為之
12. 鈐印：石魯印
畫家自題簽條：晨風小集，石魯。
鈐印：石魯
1. 題識：搖放翻卷輪迴葉，影枝頭傍伴無人。疼人間多少血和淚，澄黃昏乘風秋色。花逢雨時爭春日，樂然一笑淚和血。辛亥 (1971年) 秋日於長安蘆屋，石魯。
鈐印：石魯
2. 鈐印：石魯
3. 題識：花間為高。石魯寫王維詩意也。鈐印：石魯
4. 題識：暖風無影花醉人。辛亥 (1971年) 暮秋寫於長安，石魯。鈐印：石魯
5. 題識：晨鮮馥手，石魯。鈐印：石魯
6. 題識：高風勁節看金波奔來卷南北千望回首四海古 道蕭色滄燦易改漫說星人瘦馬黃夕陽西下， 人醒且如夢何時樂天筆，石魯。 鈐印：石魯
9. 題識：魂者丹也，寫於長安石魯。鈐印：石魯
10. 題識：花為蘭者香，石魯寫。 鈐印：石魯
11. 題識：月色蕭蕭昏昏，無涯野情，高古如夢如醒。冷冷清清，餘酒添色，鳥以與願，石魯。鈐印：石魯、詩意也
來源：香港拍賣行及地產代理有限公司，中國書畫拍賣，1989年5月21日，編號68。
石魯曾言：‘畫者觀生活如賞畫，才能使觀者如賞生活。人不留心者，畫者當留心；人不為可觀者，畫者當觀之。然後才能以畫喚起人心。’這册花卉正是反映了畫家此觀點，花卉造形獨特，線條流暢，具有很強的感染力，是畫家富於感情，富於思想的藝術精品。
露芳閣藏中國書畫
露芳閣主人八十年代初到北京經商，有緣結交啟功、黃胄、董壽平及范曾等名家大師，在他們的薰陶下，對中國書畫產生濃厚興趣，開始鑽研並涉獵名家作品。三十年下來，所得名師精品無數，此次共五十二件藏品，包括廿二件古代書畫及三十件近代畫作，覆蓋廣遠，部分是於早年拍賣所得，品質來源俱佳，必受藏家喜樂。
此近現代畫拍賣目錄，包括徐悲鴻的《三駿圖》，這幅中西融合的作品，用中國大意的筆法表現奔馬的雄姿，又以水彩的技法描繪青草等背景，只有徐氏學貫中西才能有此佈局，此作是黃君璧白雲堂舊藏，曾在台灣多次展覽；日本二玄社特選精印出版。另還包括齊白石《硃砂竹子》、《孩童玩樂圖》；張大千早年精品《描金山水》等。
古代書畫拍賣目錄，有明代沈周山水；文徵明行草詩稿，石渠寶笈著錄；文點《江村讀書圖》；陸治《水仙圖》；藍瑛山水一套兩冊，水墨詩意，青綠典雅；董其昌《五岳圖》，羅振玉舊藏，1928年東京國立博物館展覽；清代袁耀《漢宮秋月》；傅山草書；及冷枚《虎子圖》，畫後有五十三位清皇室後人及官員長跋，實屬罕有，可藏之細意品玩，趣味盎然。
來源
Lot 68, 21 May 1989, Sale of Fine Chinese Paintings, Hong Kong Auctioneers & Estate Agency Limited.
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.
THE LU FANG GE COLLECTION OF CHINESE PAINTINGS
The owner of the Lu Fang Ge Collection first began his business in Beijing in the 80's, where he met by chance Qi Gong, Huang Wei, Dong Shoupin and Fan Zeng, who became his mentors and ignited his passion towards Chinese painting and calligraphy. Over thirty years of collecting the Lu Fang Ge Collection became a repository for precious and rare paintings-the fifty-two paintings presented here are a combination of both classical and modern paintings that encompass a broad period of Chinese art and culture. Many of these works were purchased through auction many years ago with enviable provenance and will add strength to any collection.
In the modern paintings section Xu Beihong's The Three Stallions is an amalgamation of Western and Eastern painting techniques, using mainly Chinese brushwork to paint the physique of the horse, while using watercolour methods to depict the grass and the background. It is also particularly rare as it comes from the collection of Huang Junbi and was exhibited in Taiwan multiple times, as well as being published in Japan. Furthermore Qi Baishi's Bamboo, Spring Fun, as well as Zhang Daqian's early work Blue and Green Landscape are also rare masterpieces from the collection.
The Lu Fang Ge Collection contains many paintings from prominent artists in the Ming dynasty, such as Shen Zhou's Cooling in a Bamboo Grove, Wen Zhenming's Poetry in Cursive Script (catalogued in the Shiqu Baoji), Wen Dian's Studying in a Village by a River, Lu Zhi's NarcissusM and landscapes albums by Lan Ying. In particular, Dong Qichang's Five Sacred Mountains, previously in the collection of Luo Zhenyu, was exhibited at the Tokyo National Museum in 1928. The Lu Fang Ge Collection also contains a strong collection of paintings from the Qing dynasty, such as Palace under Moonlight, Fu Shan's calligraphy and Leng Mei's The Young Hercules, with up to fifty-three commendations of the piece by members of the palace and generals.