拍品專文
US$38,700-51,600
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細節
賈又福 朝暉圖 (二) 設色紙本 立軸
題識：朝暉圖，又福。
鈐印：福
現藏家直接得自畫家賈又福
賈又福別名飄香，堂號不華堂，鏡真樓，河北省肅寧縣人。1960-1965年間於中央美術學院學習山水畫。1977年 他在中央美術學院，教授傳統繪畫。現藏家在80年代末於該學院作研究生時，與賈又福結緣，私交甚篤，其後更為於紐約蘇澤蘭美術館為賈又福舉辦個展。
受恩師李可染的影響，賈又福的畫亦善用深墨，並強調垂直的立體感。畫中壯麗的懸崖和山石的創作靈感，均源自畫家多次的於河南、河北和陝西交界處的太行山以北等地的遊歷。他更將北宋氣勢磅礴的山水繪畫融入於這21世紀的畫面中。這些畫作是畫家揉合自然、遠古、和現代靈感的最佳佐證，所有元素渾然一體卻又獨樹一幟。
題識：朝暉圖，又福。
鈐印：福
現藏家直接得自畫家賈又福
賈又福別名飄香，堂號不華堂，鏡真樓，河北省肅寧縣人。1960-1965年間於中央美術學院學習山水畫。1977年 他在中央美術學院，教授傳統繪畫。現藏家在80年代末於該學院作研究生時，與賈又福結緣，私交甚篤，其後更為於紐約蘇澤蘭美術館為賈又福舉辦個展。
受恩師李可染的影響，賈又福的畫亦善用深墨，並強調垂直的立體感。畫中壯麗的懸崖和山石的創作靈感，均源自畫家多次的於河南、河北和陝西交界處的太行山以北等地的遊歷。他更將北宋氣勢磅礴的山水繪畫融入於這21世紀的畫面中。這些畫作是畫家揉合自然、遠古、和現代靈感的最佳佐證，所有元素渾然一體卻又獨樹一幟。
來源
PROPERTY OF A COLLECTOR, ACQUIRED DIRECTLY FROM JIA YOUFU
Jia Youfu studied landscape painting at the Central Academy of Fine Arts in Beijing from 1960-1965. He returned to the Academy in 1977, where he has continued to teach traditional painting to future generations of artists. The current owner of these works met Jia Youfu when she was a graduate student at the Central Academy of Art in Beijing in the late 1980s. She developed a personal relationship with Jia, collecting his works through the years and eventually organizing solo exhibitions of Jia's paintings for M. Sutherland Fine Arts, her New York gallery.
As these paintings beautifully demonstrate, Jia Youfu combines inspirations from nature, the distant past and modern tradition, all blended and made unique by his own talent. His sheer cliffs and rocky surfaces are based on the dramatic scenery of the northern Taihang Mountains in Henan, Hebei and Shanxi, where Jia has traveled numerous times. The grand scale and awe-inspiring mood of his compositions bring the Northern Song monumental landscape tradition into the 21st century. Similarly, the influence of one of his teachers, Li Keran, is visible Jia's effective use of dark ink and emphasis on dramatic verticals.
Jia Youfu studied landscape painting at the Central Academy of Fine Arts in Beijing from 1960-1965. He returned to the Academy in 1977, where he has continued to teach traditional painting to future generations of artists. The current owner of these works met Jia Youfu when she was a graduate student at the Central Academy of Art in Beijing in the late 1980s. She developed a personal relationship with Jia, collecting his works through the years and eventually organizing solo exhibitions of Jia's paintings for M. Sutherland Fine Arts, her New York gallery.
As these paintings beautifully demonstrate, Jia Youfu combines inspirations from nature, the distant past and modern tradition, all blended and made unique by his own talent. His sheer cliffs and rocky surfaces are based on the dramatic scenery of the northern Taihang Mountains in Henan, Hebei and Shanxi, where Jia has traveled numerous times. The grand scale and awe-inspiring mood of his compositions bring the Northern Song monumental landscape tradition into the 21st century. Similarly, the influence of one of his teachers, Li Keran, is visible Jia's effective use of dark ink and emphasis on dramatic verticals.